Word: woolf
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Dates: during 1960-1969
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EAST HAMPTON, N.Y., John Drew Theater: Vicki Cummings and Kendall Clark in Who's Afraid of Virginia Woolf...
...advisory board passes on these choices; and final say rests with the trustees of Columbia University. In 1962, the trustees overruled an award to a biography of Hearst; in 1963, the advisory board turned down a prize for Edward Albee's Who's Afraid of Virginia Woolf? This year no editorial cartoonist was deemed worthy of a prize, and no award was made for music because the advisory board nixed the selection of Jazz Musician Duke Ellington...
...hungry baby sitter wore in Oh Dad; Sigfrid half chokes her to death, as the boy in that play strangled the baby sitter. And the mortal baiting of the homosexual in Bump follows the cruelly bantering tone and logic of the venomous get-the-guests game in Virginia Woolf. The effect is worse than theatrical incest: it is rather like spreading disease in the guise of curing corruption...
...Broadway THE OWL AND THE PUSSYCAT, by Bill Manhoff, is as timeless as a Punch-and-Judy show and as timely as Who's Afraid of Virginia Woolf? Diana Sands, as a sexy pussycat who claws, and Alan Alda, as a bookish owl who screeches, fill the evening with good, vulgar, neurotic laughter...
...Anouilh goes back to Robespierre to perform a masterly autopsy on the revolutionary mentality. As Bitos-Robespierre, Donald Pleasence is phenomenally good THE OWL AND THE PUSSYCAT, by Bill Manhoff, is as timeless as a Punch-and-Judy show and as timely as Who's Afraid of Virginia Woolf? Diana Sands as a sexy pussycat who claws and Alan Alda as a bookish owl who screeches, fill the evening with good, vulgar, neurotic laughter...