Word: woolfe
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...battles of Liz and Dick echoed across oceans. Many critics thought him the greatest Hamlet of the era, and he received seven Academy Award nominations for his parts in such films as Becket, The Spy Who Came in from the Cold and Who's Afraid of Virginia Woolf? But his greatest role was the one that both he and his audience seemed to enjoy best: Richard Burton, the romantic and joyous spirit. When he died of a cerebral hemorrhage at the comparatively youthful age of 58, it was as if some clumsy stagehand had missed his cue and dropped...
...Anne of the Thousand Days, Burton lavished jewels on his consort: the 33-carat Krupp diamond, the 69-carat Cartier diamond and the lustrous Peregrina pearl that King Philip II of Spain gave Mary Tudor in 1554. Liz and Dick made a couple of good movies together, including Virginia Woolf and The Taming of the Shrew, and some fine glitzy entertainments, like The V.I.P.s, but for the most part their professional collaboration was disastrous, resulting in embarrassments like Hammersmith Is Out and The Sandpiper...
...part of London's bohemian Bloomsbury group, Keynes dined with such luminaries as Novelists Virginia Woolf and E.M. Forster. Those gatherings sharpened his Renaissance restlessness. For most of his life Keynes was simultaneously a don, a diplomat and a highly successful currency speculator. As his stature grew, his sexuality shifted. In 1925 Keynes wed the beautiful Russian ballerina Lydia Lopokova. Their marriage endured for the rest of his life. So full were his days on earth that Keynes was able to recall only one regret shortly before his 1946 death: he was sorry, he said, not to have drunk...
...contemplation of this act, and the decision to go through with it, that provides Talmage with the framework for his play. Perhaps despairing of handling the glittering literary cast that thronged through his characters' lives, the playwright turns everyone from Virginia Woolf to Carrington's sailor-lover into throwaway lines. As a theatrical contrivance this works amusingly. But it is one thing to simplify, for dramatic convenience, the structure of historical lives and quite another to oversimplify their emotional tenor. In Talmage's hands, the brilliant Strachey becomes a fussy queen; the dangerously unstable Carrington, a ditsy...
...other vision. He crusaded particularly for Beckett, and his productions of Waiting for Godot, Endgame and Krapp's Last Tape, among others, profoundly influenced the course of modern theater. Also closely associated with Albee, Schneider won a 1962 Tony Award for directing Who's Afraid of Virginia Woolf? Throughout his career, he resisted any single approach to theater, alternating between commercial and workshop projects, Broadway and regional stages, avant-garde and conventional plays. He once professed disappointment at not directing more classics, but then observed, "A number of the plays I directed when they were new have turned...