Word: woollcott
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...group which, by virtue of talent, wit and hobnobbing together, was coming to dominate the sophisticated Manhattan scene. Their lunch club, the Algonquin Hotel, had waked up one morning to find itself famous, and celebrity-chasers flocked there, as to a play, to observe Kaufman. Connelly, Broun, Woollcott, Benchley, Dorothy Parker, F.P.A. & Co. at lunch, and to hear their laughter, though not what gave rise to it. The male members enhanced their glamor by forming the Thanatopsis Literary and Inside Straight Club, whose legendary sessions, devoted to poker and wisecracks, F.P.A. reported in his column...
...each, George S. (for nothing) Kaufman has also set up in the play business with at least 22 other people, once conducting a thriving emporium with the late Ring Lardner, a going concern with Morrie Ryskind, four swanky shops with Edna Ferber, two small hamburger stands with Alexander Woollcott, a pushcart with Howard Dietz, and a sidewalk trade out of a suitcase with Herman J. Mankiewicz...
...schedule was from 10 a. m. "until exhausted," which meant until starved as well, since Kaufman cares nothing for food. They would spend two hours shaping one short sentence, a whole day discussing an exit. Kaufman's working habits are notorious. "In the throes of composition," Collaborator Alexander Woollcott once said, "he seems to crawl up the walls of the apartment in the manner of the late Count Dracula...
...time in a big Manhattan town house, part of the time on a 50-acre estate in Pennsylvania's literary-minded Bucks County. Dark-eyed, grey-haired Beatrice Kaufman, whom he married in 1917, is gay, sociable, hostessy, keeps her husband in touch with such friends as Woollcott, Harpo Marx, the Robert Sherwoods, the Irving Berlins. To Woollcott, whom Kaufman has hilariously scalped in The Man Who Came to Dinner, and who has been at different times his collaborator, brief biographer and boss, he is devoted. Talking to him, he says, "is like holding your face before an open...
Queried by TIME for his opinion of Whiteside, ex-Dramatic Critic Woollcott answered: "I only review plays for money." In Too Many Girls (produced by George Abbott) Richard Rodgers & Lorenz Hart, who always bob up with something as little like their last musicomedy as possible, have jumped all the way from Shakespeare and old Syracuse to college and New Mexico. Their scene is a rundown campus called Pottawatomie ("One of those colleges that play football on Fridays") and their plot a combination of Boy Meets Girl and Team Beats Rival...