Word: woos
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...Vertigo tour. "It reflects the joy and exuberance you see from the audiences who are hearing the show live [in the movie]." U23D makes the most of its dimensionality, plunging you into the middle of teeming stadium crowds, without the elbow in your ribs or the drunk "Woo hoo!" girl in your ear. And unlike $70 nosebleed seats, the $17 movie tickets get you close enough to Bono's outstretched hand to nearly feel him graze your cheek. Some fans are showing up for the film ready to take part--during a glittering shot of a crowd holding up thousands...
...that Senator John S. McCain has clinched the Republican nomination, he must overcome an identity crisis. Should he change his history of bipartisan voting to strengthen his Republican kinship ties? Or will his attempts to woo the right-wingers of his party alienate Independents? McCain’s recent flip-flop on torture suggests that he is trying to attract the right-wing Republican vote. That seems to explain why McCain, one of the nation’s staunchest opponents of torture, voted not to pass an anti-torture bill.This came as a surprise for those who know of McCain?...
...Aware that the elections are viewed, in part, as a referendum on the legitimacy of the Islamic Republic, the regime has launched some last-minute policies to woo voters by alleviating financial hardships by, for example, issuing a flush of gold coins and setting price caps on chicken and meat...
...Station Agent”), fakes baby Penelope’s death, and locks the girl up in the family’s country estate. As soon as Penelope turns 18, her mother hires a matchmaker and lines up a gaggle of eligible young aristocrats to woo her daughter and lift the curse. Despite Penelope’s cheerful nature and sizeable dowry, her would-be suitors all skedaddle once they see her hideous pig face. Max (James McAvoy, “Atonement”), a gambler enlisted to help get a photo of Penelope, develops a touching relationship with...
...studio recordings from “Distortion” sound cluttered and muddy. The band’s earlier material, however, features digital and analogue synthesizers in many of the lead parts. In the absence of electronics, the cello and guitar were left to fill these voids. John Woo, the guitarist, adapted particularly well, using various picking techniques and a glass slide to approximate the synth lines of earlier Magnetic Fields albums. The cello was coated in crisp, low-frequency reverb that took full advantage of Somerville Theater’s excellent acoustics. Bass notes seemingly resonated forever, and higher...