Word: wop
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Dates: during 1990-1999
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...negativa to define who God is, outlining everything He isn't (e.g., "God is not mortal") and implying that He is everything else. A similar tactic works for the flygirls. They're not the Supremes, exactly, although in some scenes they do alternate their backflips with do-wop backup harmonies. They're not all TLC, despite their crazysexycool attitude and hip-hop flava (they describe their dance style as "hip-hop and jazz meets Tae Bo"). They are not so much the In Living Color flygirls as they are the dancers in the video for the Paula Abdul song "Cold...
...while View is sprinkled with pop (including a doo-wop quartet and a Puccinified version of Paper Doll), Bolcom has succeeded in smelting many disparate styles into a tightly unified idiom all his own. There are times when the openhearted lyricism of a Leonard Bernstein would have been welcome, but the lean, laconic score keeps the action moving, lending Miller's kitchen-table naturalism a freshening touch of poetry. Add in Josephson's star-quality performance as Eddie, the exemplary staging of Frank Galati (who directed Broadway's Ragtime) and Santo Loquasto's angular set--the Brooklyn Bridge as painted...
...with the celebrated playwright to turn A View from the Bridge into an opera. Bolcom, whose eclectic tastes run from ragtime to Sondheim, is just the man to set it to music. "I've written some flat-out tunes," he says happily, "and there's even a doo-wop quartet." The cast includes soprano Catherine Malfitano, one of the most powerful actresses in American opera. "She plays a woman who makes bad calls," says Bolcom. "That's not typecasting by any means, and it'll be interesting to see what she does with it." WHEN Opens...
...shame to realize that relatively few student bands exist on campus compared to the yawn-inspiring plethora of a capella groups and orchestras. For every 500 chartreuse posters proclaiming another bee-bop doo-wop smile-and-tear fest, there may be at most one piece of paper trumpeting the latest experimentalist musical incarnation or student rock group. In general, Harvard students are content performing and interpreting compositions from oldies pop icons and classical composers, and fellow students are happy to shell out financial support to perpetuate this comfortable culture. But the number of students interested in creating music for collegiate...
...clear station. The century starts off blue: Robert Johnson selling his soul to the devil at the crossroads. Then the jazz age: Louis Armstrong, Duke Ellington and, later on, Benny Goodman and "Strange fruit hanging from the poplar trees." Midcentury, things start to rock with Chuck Berry, "Wop-bop-a-loo-bop a-lop bam boom!" the Beatles, Aretha Franklin, "a hard rain's a-gonna fall," Bob Marley, Stevie Wonder. It might be better to forget the '80s--the posturing heavy-metal bands, Debbie Gibson, "Let's get physical--physical," the guy with the haircut in Flock of Seagulls...