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Word: wop (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...Like NRBQ and the Grateful Dead, whose encyclopedic catalogs provide the only fair comparison, Los Lobos have absorbed everything from rockabilly to Marvin Gaye (whose "What's Going On" ends the album), with field trips through psychedelia, doo-wop, blues, pop and just-plain-out-there studio experimentation. And that's not even counting their mastery of the traditional Mexican music they grew up with, the soundtrack of life in Chicano East L.A. With 86 songs, there's a lot to like here: the earliest forays into the studio with traditional material like "Guantanamera"; the rowdy guitar-driven rock...

Author: /time Magazine | Title: The Wolf Four-Pack | 11/30/2000 | See Source »

...adult counterparts, pre-teen acts such as BreZe and Aaron Carter offer its listeners cheese-fried pop music that is thoroughly ridden with the fingerprints of a teen marketing-machine. Highly fabricated and mechanically produced with a pervasive blend of Backstreet Bop and Color Me Badd hip-hop doo-wop, pre-teen pop follows closely the recipes for commercialized music and suceeds marvelously at achieving lyrical triviality...

Author: By Yan Fang, CONTRIBUTING WRITER | Title: The Boys (and Girls) Are Back in Town | 10/20/2000 | See Source »

...Sheryl Crow and Lenny Kravitz. Bon Jovi, wryly acknowledging that Gore and Lieberman's favorite band was more likely the Beatles than his own Bon Jovi, announced their choice. The three teamed up on a powerful rendition of John Lennon's 1968 political proclamation "Revolution." Not the genteel doo-wop version from the White Album? but the full-blooded primal-scream arrangement of the single. In its original (pre-Nike-jingle) incarnation, the song had been a watershed, and defined which side of the barricades one stood on. Though Crow and Kravitz were still in the toddler and pre-embryonic...

Author: /time Magazine | Title: Being for the Benefit of Mr. Gore | 9/15/2000 | See Source »

...theater? Mostly lights and tricks. Music? Mostly sappy-sentimental, and rap--a rhythmic fusion of grunts and hisses, minus the notes. Like Wagner, it's not as bad as it sounds, but one misses doo-wop, pop and jazz, especially jazz. Teddy Wilson, Billie Holiday, George Gershwin, Miles, Ella, Satchmo, Bix. I hope they have survived. It is, of course, possible that you long for Dr. Dre and Limp Bizkit the way I long for Cole Porter, but are you crazy...

Author: /time Magazine | Title: A Letter To The Year 2100 | 1/1/2000 | See Source »

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