Word: wopping
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Dates: during 1990-1999
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Miseducation is a musical education. The CD's songs range from the Jamaican patois-tinged rap of Lost Ones to the unexpected hip-hop harmonizing of Doo Wop. Hill proves herself a master of many genres, but she's no dabbler--what makes this album a wonder is how personally she takes everything. Hill's songs detail, painfully, intelligently, her problems with manipulative men, her childhood in New Jersey, her decision, as a young single mother, not to abort her baby boy. "Sometimes it's hard to really make any statements when you know that the industry caters...
...Capeman, PAUL SIMON's new musical about a New York City gang killing in the 1950s, had a long, troubled road to Broadway, and its troubles didn't end on opening night. Some last-minute doctoring helped a bit (especially in the doo-wop-flavored first act), but the show never comes to life onstage, and it was drubbed by critics. Yet its backers are vowing to keep the show running at least until the Tony nominations in May. "We're obviously disappointed," said DAN KLORES, one of the producers. "But we're going to fight." A determined group...
...Puerto Rico/ Came here when I was a child..." Simon was preparing the mix for a song from The Capeman, his new musical that recounts a bloody tabloid crime from the 1950s, explores questions of guilt and redemption and introduces a rich dose of Latin rhythms and doo-wop music to Broadway. One riff from the electric keyboard caused him to make a face. "It's too synthy, too 'woo-woo.'" he said. "Have you got some nice strings?" Another muddy spot he wanted rerecorded: "The piano's too busy. You lose the lyrics." Putting the finishing touches...
Ambivalence is never a completely favorable trait in the musical world, especially for an inherently questionable soundtrack, but it somehow keeps Bean from the movie music graveyard. The surf-rock doo-wop of the Beach Boys' "I Get Around" and the 80s staple "Walking on Sunshine" from Katrina and the Waves lend a familiar sound to a bunch of otherwide deservedly unknown songs. Don't think that unpopularity leaves other tracks necessarily disappointing. "I Love L.A." by the revivors of this past summer's Latin element, O.M.C., has a catchy groove, Boyzone's "Picture of You" frolicks in generic...
Pretty much since then, black artists who wanted to play rock 'n' roll--as opposed to pop, or doo-wop, or soul music, or funk, or disco, or rap--have had a hard time getting a hearing from the music industry, which, thanks to its perceived marketing needs, tends to pigeonhole artists in "black" and "white" slots. The irony, of course, is that while white artists like the Rolling Stones are exalted for their borrowings from black music, black artists who try to reclaim the now predominantly white classic-rock tradition are often met with industry indifference, if not hostility...