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Called the "prince of post-modernist trumbet-with-a-punch" in a recent Down Beat article, Bowie began his rise to jazz stardom in the early sixties, working with "doo-wop" bands, and backing the likes of Albert King and Joe Tex. He moved to Chicago in the mid-'60s, became a part of the "Association for the Advancement of Creative Musicians," and in 1965 the critically acclaimed "Art Ensemble of Chicago...

Author: By Ari Z. Posner, | Title: All That Jazz | 4/6/1984 | See Source »

...values. Tom reacts first with anger and then with tears. He turns to his wife for solace, moaning "Maybe Aggy's right. Maybe I am a failure. "Francine sharply gives sarcastic voice to Innaurato's view of the clash of values: "You're right. You're a wop in a WASP. society. You're heavier than the skinny society. You're getting worse and worse and what a failure. Look at what you got as a wife... If you were a normal 30-years old you'd go on a diet, get a divorce and go to law school...

Author: By Stuart A. Angang, | Title: Hold the Commentary | 2/3/1984 | See Source »

Simon, who after all has built bridges over troubled waters, is masterly enough to span that gap. Any record that encompasses doo-wop, Philip Glass and the fragile orchestrations of the French film composer Georges Delerue is bold by any standard. Anyone who writes lyrics that sound like the poet Ted Hughes on sabbatical in the Brill Building rates a very close listen indeed. Simon's musical agility and lyrical literacy may seem suspect to an audience that wants its rock rougher. He irrefutably proves that hard edges run a poor second to deep thought. Hearts and Bones explores...

Author: /time Magazine | Title: Music: Tripping Through Old Times | 12/5/1983 | See Source »

...upward social mobility, he has risen from his birthplace on Mulberry Street in Manhattan's Little Italy to become Hud's unwelcome neighbor. Gaetano's goodly impulse is to detox Hud: "You don't have to die." But Hud sees it as an intrusion of Wop on Wasp. He hurls endless ethnic slurs at Gaetano. To salvage Hud, Gaetano takes these insults with infinite good grace and gets enough snappers back to make the evening something of a celebrity roast. In the slugfest finale of Act I, Gaetano swings both parts of a refrigerator door...

Author: /time Magazine | Title: Theater: Bottle Baby | 11/8/1982 | See Source »

...certain twinkle in her eye, awaiting the predictable response. But for you, a Harvard guest at Yale, there is the moral dilemna, based on the olde rivalry. Should you play along, and be a Yalie, just for one night, or will you be true to your school? Be-wop, shaboom...

Author: By Andrew C. Karp, SPECIAL TO THE WHAT IS TO BE DONE | Title: Weekend Odyssey in New Haven | 11/19/1981 | See Source »

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