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True to White’s claim, the paintings and titles in this exhibition are simple, but suggest complex implications. The first painting in the show is entitled “Headstone.” This wordless gray mass is shocking at first because of its placement in the show. It immediately sets the morbid tone that White wants—she suggests that life, creativity and energy are dead in the suburbs. The final paintings in this 20-painting exhibit is “Suburbia”. The green-on-green arrangement of mini cookie-cutter houses, lined...

Author: By Michaela O. Daniel, CONTRIBUTING WRITER | Title: Band-Aids and Suburbia | 4/20/2001 | See Source »

...notes, but his gestures and timing were right on as well, resulting in an all-around impeccable delivery. Other members of the woodwind section played their most difficult and taxing parts brilliantly. The strings, however, were not at their strongest, and the Tanglewood Festival Chorus sang their wordless parts too directly and without the distance sometimes required in this music. Haitink conducted effortlessly, and took the final “Danse Generale” at a brisk, exciting tempo, which proved to be very effective. This was programming at its best: two twentieth century repertoire staples performed by an orchestra...

Author: By Anthony Cheung, CONTRIBUTING WRITER | Title: Ma-Ravel-ous | 4/6/2001 | See Source »

Issue No. 4 has just appeared in what has shaped up as an annual publishing schedule. The wordless plots are simple and archetypal, tapping into primal-process stories of food, fear and friendship. "Frank's High Horse," the lead story that continues across issues, involves Frank's finding a vicious protector called the High Horse (though it looks more like a giant, floating planarian worm). Soon Frank becomes addicted to the power this brings him, desperately following it as it slips through a slit in the sky, back to its own plane of existence...

Author: /time Magazine | Title: Mute Stories Speak a Universal Language | 2/9/2001 | See Source »

...Woodring keeps the stories wordless, both as a challenge to himself - "like writing a novel without the letter 'e,'" he has said - but, more importantly, as a way of avoiding cultural currency. Not using words keeps the "Frank" stories timeless and universal. If you share "Frank" with your Bushman friends and even your Oxford don friends, everyone will be able to "get it." Wordless, sequential drawings have been the purest form of communication since prehistory. "Frank" continues the tradition...

Author: /time Magazine | Title: Mute Stories Speak a Universal Language | 2/9/2001 | See Source »

...almost a shame these are wordless stories, since Woodring's prose remains one of the most distinctive in comics. His words form a kind of enigmatic poetry, that, like his "Frank" stories, promise meaning if only considered closely enough. Here's a sample line that floats on the inside back cover: "When all these things we have come to love pass by, the world will seem empty and alone. How strange this place will be without my practicing eye. How devoid of charm that residue of foam...

Author: /time Magazine | Title: Mute Stories Speak a Universal Language | 2/9/2001 | See Source »

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