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...scene, the arrival of Wu-Tang of Staten Island, N.Y., announced that the East Coast was not to be ignored. The group's last major album, the ambitious 1997 double album Wu-Tang Forever, was a challenging, complex work of urban sprawl, spilling over with rude wordplay, goofy ideas, bad attitude and mumbled philosophy. Its work was like an overpopulated metropolitan center, pot-holed, traffic clogged, but full of energy and promise...

Author: /time Magazine | Title: Searching for the Perfect Beat | 12/11/2000 | See Source »

...scene, the arrival of the Staten Island, New York-based Wu-Tang announced that the East Coast was not to be ignored. The group's last major album, the ambitious 1997 double album "Wu-Tang Forever," was a challenging, complex work of urban sprawl, spilling over with rude wordplay, goofy ideas, bad attitude and mumbled philosophy. Their work was like an overpopulated metropolitan center, pot-holed, traffic - clogged, but full of energy and promise...

Author: /time Magazine | Title: Searching for the Perfect Beat | 11/18/2000 | See Source »

...damaging the image and character of an estimated 20 million Italian Americans by using their religion, customs and values in a violent and immoral context," claims the coalition, which recently named show creator David Chase "Pasta-tute of the Year" for egregiously trading on his Italian heritage. Egregious wordplay apparently honors that heritage. Actor Vincent Pastore, known as informant character Big Pussy, says the cast was not planning to march in character. "We were [in the parade] before we were Sopranos. We're actors; we just get on the float." Sadly, since Yom Kippur is a solemn occasion, the cast...

Author: /time Magazine | Title: People: Oct. 16, 2000 | 10/16/2000 | See Source »

...permeated with a sense of dread that his more humorous, upbeat material never entirely dispels. While it doesn't evoke the almost creepy atmospherics of those examples, "Crossing Muddy Waters" may be the most clear-eyed articulation to date of Hiatt's sense of reckoning. True to the wordplay of the title, the album is a bluesy, almost all-acoustic affair - like something Taj Mahal might have made if he had a more melancholy streak - that ponders various crises: the narrator's desertion by his wife, so distraught that she leaves her daughter behind, in the title track; the weary...

Author: /time Magazine | Title: Bringing Down the House | 9/29/2000 | See Source »

...Among the happiest of his controlled skids is Fred Willard as Buck Laughlin, a supremely confident, supremely clueless TV commentator filling time with proctologist jokes, making awful wordplay when the shih tzu appears. He's the outsider trying fecklessly to gain a purchase on a closed world. He is also, one suspects, one of Guest's inner voices, an assertion of the reality principle saved from contempt by its self-satirizing edge...

Author: /time Magazine | Title: The Lord of Losers | 9/27/2000 | See Source »

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