Word: words
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Dates: during 1990-1999
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...were at tennis match. It was as if Dylan was singing to an empty room. Dylan continued his phonetic retort, savoring every "Hey Mr. Tambourine Man, play a song for me. I'm not sleepy and there's no place that I'm going to!" He spits out the word "to" as if he was disgusted...
...change the world? If we set out to make millions like Soros, even if we succeed, we are only increasing the inequality of wealth in the world. But if we follow Soros in word and not deed, we might help our government create policies and rules which can allow global capitalism to operate in a universal framework of law. Money must not be allowed to replace politics, and financial influence is no replacement for democracy. Having men like Soros call the shots creates a global aristocracy...
Which brings us to the argument that the show's success is somehow dependent on all-male casting. Believing instead that the show's attractiveness is based largely on the polished talent displayed, I suggest that its humor arises chiefly from six elements: transvestism, sight gags, word play, non sequitors, wit and sexual humor...
...Harvard. But like the hair, he just seems a little too slick. Henry C. Quillen Rhetorical style not quite as interesting as the "Scream" costume, but we applaud the late display of Halloween spirit. Michelle Robinson Makes us listen to the sounds of silence in a strange three-word opening. Stunt to appear different impresses no one. Noah Z. Seton Deflects accusations of excessive Stewartship in true presidential style. Also wins Best Hair in Show award. Ted A. Swasey Claims he is not a politician, and proves it with his speaking skills. Makes us miss the sweet syntax of George...
Trevor Blake and Nick Stone present a better choice than the staff indicates. Both men of their word and pragmatic thinkers, Blake and Stone are goal-oriented and representative of Harvard...