Word: words
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Dates: during 1990-1999
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...album opens auspiciously with the dark, mechanical "Paralyzed," immediately revealing how far Persson' voice has come from the cute whispers of her early word. Though the subject matter--a morbid depiction of love as "the sweetest way to die"--recalls the debased impulses of "Lovefool," there is no meek ingenue here. Persson's vocals now bristle with a surprising fury while a guitar whines and cracks in the background like the resurrected ghost of desire. When the striking hook emerges in the expansive chorus, it has epic weight of truth; love is, as the Cardigans insist, the surrender of sanity...
...plurality of what all of this represents is what I'm trying to create a forum for. This album, Riddim Warfare, for example, There's such a wide variety of people on it. You have Julia Scher who helps run MIT's media department, she has a spoken word piece. Or Mariko Mori who is a really major Japanese artist at the moment. All of these people, the vocalists, I asked them what do they feel like living in the late twentieth-century, media saturation, electronically-accelerated culture, etc etc. And so each person came back at me with...
...Wooten's contribution to the band (besides being the best bass player in the world) is his interplay with band and audience members alike. As he stood out on the thrust of the stage and talked through his instrument in a million ways, it became obvious exactly what the word 'virtuoso' meant. Some have termed Victor's playing "musical masturbation"--whatever it is, it feels good...
...near-selfishness created by love without lecturing us or demanding that we listen. Minot expertly balances the intertwined threads of her novel, moving the story along in a verbal tapestry that plays with the potential of language without insisting that we read a deeper meaning in her word play. Perhaps its elements have been done before, but Evening is still able to transcend the bounds of its cliched parts to create a lovely and eye-opening whole...
...must-have for all Heaney fans, Heaney neophytes and poetry enthusiasts in general, the anthology offers word-for-word the richest visual splendor this side of Yeats. Herein are contained works of virility, gentility, raw passion, reserved harmony and the sheer ecstasy of reveling in language, rolling around in verbiage as only Seamus Heaney can do. The anthology contains works Heaney himself chose from among his rather extensive prosaic and prosodic output. The majority of the collection is made up of poems from all nine of Heaney's collections (spanning a thirty-year literary eternity from 1966's Death...