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...study of Wordsworth's poetic decline such as Dean Sperry's has long been needed, for nearly every other previous critic has been the "man of a thesis," as the French say; that is, with Professor Herbert Reed, for example, Annette Vallon was the all-sufficient reason while others have averred that it was Wordsworth's adoption of Tory principles after his disgust with the French Revolution due to the invasion of Switzerland. "The Ecclesiastical Sonnets" are indeed sorry stuff after the "Tintern Abbey," the "Prelude" and the "Ode on Intimations of Immortality." "In fact," as a CRIMSON editor...

Author: By W. E. H., | Title: The Crimson Bookshelf | 5/4/1935 | See Source »

Dean Sperry reviews all the other opinions of Wordsworth's dismal anti-climax, giving in every case the devil his due and showing what facts each ignores. His own belief is, that Wordsworth in embracing the sensationalist psychology from Hartly, out of Locke and Hume, was pursuing a course detrimental to the continuation and enhancement of his poetic powers and the Dean gives his reasons lucidly and even persuasively...

Author: By W. E. H., | Title: The Crimson Bookshelf | 5/4/1935 | See Source »

Willard Learoyd Sperry, Dean of the Divinity School, will lecture on Wordsworth on Tuesday, March 19, at a meeting of English...

Author: NO WRITER ATTRIBUTED | Title: Sperry to Speak | 3/7/1935 | See Source »

...letters from Henry Van Dyke to George E. Woodberry, the most representative of which are now on exhibit in the Poetry Room in Widener Library. Writing in a manner which be speaks great friendship and a long acquaintance, Van Dyke states that Woodberry's Gibraltar Sonnets" will live with Wordsworth; he compares the quality of Woodberry's "Hawthorne" to George Inness' painting. Most interesting of them all is one written shortly before the deaths of both men. It reveals the hearts of two old men who have outlived their generation, but who, in the face of change, still cling...

Author: NO WRITER ATTRIBUTED | Title: Letters From Van Dyke to Woodberry Are Exhibited | 10/16/1934 | See Source »

Modern poetry, like experimental science, is always precocious to its day. Even William Wordsworth was once a misunderstood modern, a reprehensible revolutionary. Edwin Arlington Robinson, who last week published his eighth quiet narrative poem, was never considered a blasphemer of the literary gods, but once he was more modern than he is today. Now distinctly a member of the old guard, thrice crowned with the perishable bays of the Pulitzer Prize (1922, 1925, 1927). Robinson is by long odds the most respected living U. S. poet. In his 65th year this New England Browning still turns out a lengthy blank...

Author: /time Magazine | Title: Books: Poets Old & New | 10/1/1934 | See Source »

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