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...never seen anyone as quiet as he was. Shyness didn't even seem to do it justice, because it would take him 10 to 20 seconds to respond to a question. He wore dark sunglasses so you could just see your own reflection in them. And he had a hat pulled down over his face, so it was difficult to see who he was. When he did answer, it was in a whisper ... It did seem to both Cheryl Ruggiero and to me that he was depressed. But of course I'm not a psychiatrist...

Author: /time Magazine | Title: Virginia Tech, Remembered | 4/16/2009 | See Source »

...comments on political matters and instead stands as a suprasymbol of Thai cohesion. His picture graces most every restaurant and business in the land, and a giant billboard of his visage with the words "Long Live the King" greets visitors at Bangkok's airport. For years, millions of Thais wore yellow every Monday in a voluntary show of support for the King, who was born on the first day of the week and is represented by the golden hue. As the country has cycled through a seemingly endless parade of coups and governments, one constant has remained: each new leader...

Author: /time Magazine | Title: Bangkok Protests End; Thais Mull a Divided Nation | 4/14/2009 | See Source »

...spangled boxers while Kim Wilde’s 1980s hit “Kids in America” blared in the background. The show concluded with Street Culture, when models exchanged their stoic strutting for hip-hop dancing. The men sported shiny Ed Hardy hoodies, jeans, and hats. Women wore baggy cargo pants and tanktops. “I wanted to show the different styles of Asian street dancing and clothes,” said Moonlit M. Wang ’10, the creative director of Street Culture. During this segment, the models alternated between Chinese, Japanese, and Korean street...

Author: By Jack A. Holkeboer, CONTRIBUTING WRITER | Title: Third Annual Identities Fashion Show Explores Clothing and Culture | 4/13/2009 | See Source »

...said the late Clive Barnes, one of the preeminent dance critics from the turn of the 20th century. “I think I originally imagined them looking a little like Serge Diaghilev. A grandee of café society, yet a man of classless class, who wore his cultural and intellectual distinctions as casually as a subtle aroma of cologne.” The Sergei Diaghilev in question was a connoisseur extraordinaire and director of the famed Ballets Russes, a troupe that emerged in Europe in 1909 and proceeded to change the realm of culture and art around the entire...

Author: By Erica A. Sheftman, CONTRIBUTING WRITER | Title: Harvard Celebrates Centennial of the Ballet Russes | 4/10/2009 | See Source »

...people (“Tristan, Tzara”) burst with the raw energy he demands. Dada artists themselves provide most of the fun. Tzara once unraveled a roll of toilet paper marked “Merde” to end a performance and Baroness Elsa von Freytag-Loringhoven wore a birdcage as a hat to parties. Codrescu amplifies their liveliness with his tight, brisk sentences: “In Sparta, bored out of her mind, the baroness sneaked off to Cincinnati by train to model nude at an art school.” What Codrescu doesn’t explicitly...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Posthumanity Plagues A Port-Dada Historian | 4/10/2009 | See Source »

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