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...released in 2006), developing her style while staying true to her original devil-in-disguise tactics. Although “It’s Not Me, It’s You” is only her second full album, the encouraging success of her earlier work??earning her a BMI songwriting award and a double-platinum record—has given Allen enough confidence to explore and experiment here. It’s refreshing to hear ska, jazz, and techno influences slipping into her pop beats. In one track on the new album, “Never Gonna...
...third solo album, the sublime, sample-bending “Person Pitch,” to widespread critical acclaim. The second came in December, when the band proper released their seventh album, “Strawberry Jam.” Delivering on the promise of their finest early work??2003’s “Here Comes the Indian” and 2004’s “Sung Tongs” in particular—“Strawberry Jam” was a masterpiece whose dense soundscapes alternately grinned and strained with near-violent...
...access will be limited for research uses,” Guerra said. Alison Weinstock, who created a Web site that catalogs Blades’s music, is coordinating the acquisition on the singer’s behalf. Weinstock originally approached Widener Library about holding the collection, but ultimately the work??which is primarily composed of musical artifacts—was placed in the Loeb archives. “The Loeb is a perfect home for his work,” Weinstock wrote in an e-mail. “I think the Loeb Library and Harvard are uniquely...
...saves hospitals far more money than OBGYNs,” who are licensed physicians and charge more for deliveries.Decker also demanded precise accountability by the CHA for its operation of the Cambridge Public Health Department, which she said has engaged in vague “homeland security work?? that may stretch outside of Cambridge.“I might choose, as a representative of Cambridge taxpayers, to keep the [Farnum] Senior Center, even if it’s not at full capacity, than rather to be doing homeland security work in Everett,” Decker said...
...band’s hostility toward authority: the album artwork features crosshairs fixed on a Confederate general commanding his men to charge. But there are just too many narratives. The visual element of “The Clash” demands a lot of attention and ultimately exacerbates the work??s fundamental flaw—its lack of coherence. “The Clash” accomplishes what its title implies—providing a look at The Clash from the band members’ perspective. But by relying so heavily on interviews and visuals, the book fails...