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...applaud the Queer Students and Allies’ recent decision to change its mission statement to include the more widely encompassing terms “questioning and allied students,” as well as QSA’s initiative to incorporate more ethnic and cultural identities into its work. We feel that QSA’s revamping of its goals is a positive step toward creating a more comprehensive and representative student group that will thereby be better able to cater to its members and Harvard’s population as a whole...

Author: By The Crimson Staff | Title: A More Inclusive Group | 2/23/2010 | See Source »

...It’s been a crazily short process,” says Yashinsky of rehearsal, which began just after winter break. He is, however, confident that their dedicated work has been thorough. “School and opera,” he explains. “That’s how we live...

Author: By Lauren B. Paul | Title: Tosca | 2/23/2010 | See Source »

Ultimately, however, even the show’s somewhat lagging pace and occasionally less-than-stellar acting can’t detract from the overall sense of magic and spectacle created by the work. “The Lion King” provides the perfect mid-winter retreat to sunny Africa, offering a lush and immersive musical escape to the color and fantasy of an exotic land.               —Staff writer...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: 'Lion King' Tour Reigns Supreme | 2/23/2010 | See Source »

...canonical anchors like the Beethoven symphonies is to avoid easy recourse to the habit of flawless dignity. Consummate artistry involves not only the meaningful realization of a composition, but the further ability to destroy and then resurrect its grandeur—to connect with the inner greatness of the work while stripping away the pomp that surrounds it. The goal is for the audience to like it not because they are supposed to, but because they can’t help...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BSO Plays Third and Fourth, Comes Out First | 2/23/2010 | See Source »

...emotional gamut spanned by the “Eroica” gave it the flavor of a show piece, but that never cheapened it—in fact, the extra swagger affected by the BSO is really something missing from other interpretations. Sterling solo and ensemble work in the wind section stood out in the third movement, as in the symphony as a whole. Even in the dolorous intensity of the second movement, the emphasis on the starkness of the horns turned Beethoven’s exploration of grief into more of a public ritual of loss than an introverted...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BSO Plays Third and Fourth, Comes Out First | 2/23/2010 | See Source »

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