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...costs; for the narrator, it is simply a question of “lying low” and warding off the cruelty of lovers. Yet the protagonist and Clara, caught in their self-involved and unspectacular web of emotions, are too banal for Aciman’s trick to work, and the protagonist’s dense, slogging thoughts form a thicket of angst that paralyses the narrative. He despairingly thinks, “It occurred to me that rehearsing loss to dull the loss might bring about the very loss I was hoping to avert.” This...
...band, the remaining members, brothers Peter and David Brewis, were joined by Kevin Dosdale and Ian Black to record the group’s third album. This change in personnel may be the cause of this record’s shift from the group’s earlier work. Angry, angsty, and attempting to avoid categorization, “Measure” is a 20 track album defined as heavily by its amorphous style and musical outbursts as its invention or ingenuity...
Apart from the dramatic component of the production—led by David J. Smolinsky ’11, who plays Tom—a large-scale sculptural work crafted by Sara J. Stern ’12 will also be incorporated...
...installation will be composed of clear, hand-sewn acetate animal forms and their shadows, sheer fabric, and plexi. It will also rely heavily on a special lighting design,” Stern says. “I chose to work with shadows because, like shadows, reenacted memories are never the thing itself, and they are only witnessed when captured, such as in the space of a theater or upon the pages of a book...
Artists are often perceived as reclusive, resentful of society, so adamant about their privacy that the public becomes all the more interested in violating it. They may even be seen as egocentric or possessed by a monomaniacal devotion to their work. The archetype can be justified; some artists flaunt their lack of regard for what their fans think of them, for instance. Anyone who has attended a Bob Dylan concert, for example, knows that he changes the rhythm of his delivery to frustrate audience members audacious enough to sing along...