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...that; it would be a lot of fun. It’s funny—in opera, the pitches are dictated, the timing is dictated, the composer has written everything down. And I memorize everything through the music. So it would be very interesting to see what would work. Would my speaking voice sound funny? Would I be able to manage the timing? It would be an interesting challenge...

Author: By Michael A. Yashinsky, CONTRIBUTING WRITER | Title: SPOTLIGHT: Renée Fleming | 2/9/2010 | See Source »

...tinged with pathos, “The Unnamed” is tragic, but gilded with heartbreaking humor. While previously Ferris might have left this character shouting obscenities or doing something equally outrageous, here Tim is left collapsed in the arms of his wife, as eviscerated as his expensive work-wear...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Ferris' Account Of an 'Unnamed' Mental Affliction | 2/9/2010 | See Source »

...tearing apart his suit, Tim turns the daily routine of changing after work into something eccentric—an act of destruction and frustration. Mirroring this act throughout the novel, Ferris takes the typical—corporate America, illness, marriage, and mortality—and reinvigorates it. “The Unnamed” is a poignant, though not always cohesive narrative. A subplot at Tim’s office involving a murder investigation—a trial that he botched when he took ill—distracts from the account of his illness and its effects on those around...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Ferris' Account Of an 'Unnamed' Mental Affliction | 2/9/2010 | See Source »

Though this ridiculously out-of-place whodunit detracts from the success of the work as a whole, it does not do quite the damage that Tim does to his suit jacket. Ferris sustains his novel with lyrical sentences and piercing images—a wife and daughter squinting in the dark to spot a man lost in his own body, a ripped suit and a grown man on his knees, and expensive copper pots sparkling in the light, unused. In “The Unnamed,” Ferris begins to depart from the theatrical and outlandish antics...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Ferris' Account Of an 'Unnamed' Mental Affliction | 2/9/2010 | See Source »

Yeasayer have not forgotten the past, but simply evolved their sound from a ritualistic one into a futuristic one. Unpredictable melodies on tracks like “Grizelda” and “Strange Reunions” serve as reminders of the band’s earlier work, but these are exceptions to the forward-moving, electric sound of the rest of “Odd Blood.” This feeling of forwardness is largely due to a change in percussion use from “Cymbals.” The band has eschewed their old tricks...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Yeasayer | 2/9/2010 | See Source »

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