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Your Brain at Work...

Author: /time Magazine | Title: Business Books | 11/23/2009 | See Source »

Ever feel guilty that you can't do six things at once as some co-workers seem to? Don't. We're not made to multitask, says consultant Rock, who interviewed 30 leading neuroscientists to explore how the brain functions at work. "The reality is you are not doing two tasks that use the stage at any one time," he writes. "You are switching attention between tasks." For optimal use of brain cells, do one thing at a time, no matter how long your to-do list is. Otherwise, he says, "if you do multiple conscious tasks at once...

Author: /time Magazine | Title: Business Books | 11/23/2009 | See Source »

...monolithic institution we meet in "Bauhaus 1919-1933: Workshops for Modernity," a new show at the Museum of Modern Art (MOMA) in New York City, which runs there until Jan. 25. It's a collective of fierce individuals and a continuing work in progress. But while the school may have been a group enterprise, it was largely the creation of one man. In 1919, the year it opened, Walter Gropius was a young German architect recovering from dual traumas--World War I and his turbulent first marriage to the formidable Alma Mahler. One of history's supreme narcissists, she betrayed...

Author: /time Magazine | Title: Haus Beautiful: the Impact of Bauhaus | 11/23/2009 | See Source »

...came much more of the work we think of as quintessentially Bauhaus: spare, sharp-lined products like Marianne Brandt's geometric tea-and-coffee sets and Josef Albers' austere little stacking tables. Marcel Breuer devised his soon-to-be-famous tubular steel chairs with their bands of stretched black canvas, a skeletal combination of lines and taut planes that looked like an X-ray of a chair. Even then, while factory production may have been the aspiration for many pieces, old-fashioned handcraft may still have been the method behind them. The interlocking grids of Albers' glasswork Goldrosa give...

Author: /time Magazine | Title: Haus Beautiful: the Impact of Bauhaus | 11/23/2009 | See Source »

...Dessau, the Bauhaus moved again, this time to Berlin under the directorship of none other than Ludwig Mies van der Rohe. He did what he could to appease the Nazis, forbidding left-wing student gatherings and producing exhibitions of what he hoped would be seen as apolitical abstract work, but it was no use. In 1933, with Hitler firmly in power, Mies arrived one morning at the converted factory where the school was housed to find it surrounded by black-uniformed Gestapo. Soon after, he shut it down for good and made for the U.S., where Gropius, the Alberses...

Author: /time Magazine | Title: Haus Beautiful: the Impact of Bauhaus | 11/23/2009 | See Source »

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