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...Shakespeare’s plays. Unlike many companies who operate out of one theatre, the Project’s productions crop up in unexpected locales, bringing the spirit of Shakespeare to myriad unconventional spaces. These temporary theatres foster an intimate connection between the players and the audience and work to eliminate the common stigmas of inaccessibility and intellectualism that surround Shakespeare...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: A Modern Take on Shakespeare’s ‘Shrew’ Goes on at the Square | 10/16/2009 | See Source »

Driven by a commonly held belief in Shakespeare’s position as the greatest playwright of all time, the Project is unwavering in its conviction that, despite their mission to fundamentally change the way his plays are presented, the man’s work is eternally and transcendentally significant...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: A Modern Take on Shakespeare’s ‘Shrew’ Goes on at the Square | 10/16/2009 | See Source »

Robert C. Rogers, an HRDC alum who works in the Harvard Math department and has acted off-Broadway in New York, returns to the stage after a multi-year hiatus to play Robert. Rogers and his character have more in common than just an interest in math. “My own father was not exactly like Robert, but he suffered very much from mental illness,” says Rogers. “Some of the stuff Catherine has to do for Robert during the play, I had to do for my father. You always choose roles that help...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Proving the Links of Math and Art | 10/16/2009 | See Source »

Overall: A-. Attempts to work out portrayals of minorities. Plenty of Sue. Plenty of drama. Plenty of music...

Author: By Luis Urbina | Title: Recap: "Throwdown" | 10/16/2009 | See Source »

...fulfill the concept’s potential. The show is lively and entertaining, but only one of its plot lines is fully resolved. The continuation of the “pride” storyline—which appears in three different scenes—is the only to work well. Perhaps developing the other sins a little further would have made the play more memorable...

Author: By Athena L. Katsanpes, CONTRIBUTING WRITER | Title: Hyperion’s ‘Sins’ Dead On in Entertainment Value | 10/16/2009 | See Source »

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