Word: worke
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Dates: during 1960-1969
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...looking for students who can demonstrate competence in some field. however narrow. But remember that it's not as difficult as getting into Harvard or Radcliffe. Few people who stick out the entire competiiton for any of the four boards get cut in the end. Persistence, initiative, and some work at developing the skills you obviously possess will get you elected...
After you get elected, the Crimson becomes a veritable smorgasbord of delights. Even if you never do another stitch of work for us, you will always be a Crimson editor. It is hoped that you will work for us after election, but there are no chains. And if you get elected on one board, you're free to try our hand at something else. Our current president started out selfing...
Baillie's earlier films give a strong sense of internal progress, of work done, despite their non-dramatic form. Pieces like On Sundays, The Gymnasts, and Have You Ever Thought of Talking to the Director ? are unified by the experiences of a central character, whom Baillie uses to explore oppressive physical realities. His basic themes reach their fullest elaboration in his epic films To Parsifal and Mass, and each succeeding work derives its direction and energy from these two productions. In Quixote. the last of his epics, a barbaric technology proves too overpowering, and the sheer visual weight of double...
...works that follow it, less ambitious in scope, are more successful. Probably the best of these later films is Valentin de las Sierras, made in Mexico. Rather than unify the film through a central protagonist's experience, Baillie portrays the world as a child sees it, conveying a clear sense of wonder through close-ups and impressionistic hand-held camera work. Shots with specific meanings reoccur in a variety of contexts, and characteristic Baillie imagery-a dark horse, an unlit entryway-rearranges itself according to a child-like vision...
...distrust of formalized structures, his movies growing gradually from images shot and edited in spurts, "discovering the film as it takes shape." Above all he is concerned with the apotheosis of the moment, the texture and line of things seen and felt, and the result is a body of work that is palpably bright...