Word: worke
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Dates: during 1970-1979
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...Last month an editorial in the People's Daily urged party leaders to make even more of an effort to create jobs for unemployed youths. In Nanjing, 600 otherwise unemployable young people have been given jobs as hairdressers and bathhouse attendants. Shanghai last month tried to provide make-work for several hundred jobless young by paying them 53? a day to scramble up bamboo scaffolding and help refurbish the city's many stately but decaying Victorian office buildings. There are even special catch-up courses for young people. At the Xiang Ming Middle School, near Shanghai...
...Adams' album from his 1916 trip, with its tiny sodium-browned prints of the Merced River, Half Dome and the scarps of the great valley, one can see the latent images of his work, struggling to become photographs. But as yet they were just vacation snapshots. "They couldn't have meant anything at all to anyone else," he says. "But as I kept doing it over several years, it began to mean more. I was seeing more. Then I got better cameras. Then I began to separate things, to see them more clearly." The first picture he took that...
When Adams' first portfolio, Parmelian Prints of the High Sierras, was privately published in 1927, he was a fine technician who did not know much about the history of his own medium. He had not seen, or at any rate had not noticed, the work of his 19th century predecessors, Western landscape photographers like Carleton E. Watkins and Timothy H. O'Sullivan. He was still influenced by the so-called pictorialists, photographers given to arty blurs and poses. He also disliked the canonical painters of the American sublime, Bierstadt and Moran. "Indians and bears walking out to the edge...
...looking over Strand's shoulder as he checked and sorted them: "It nipped me out. That was the first time I saw photographs that were organized, beautifully composed. Strand was the turning point. I came home thinking, 'Now photography exists!' " Soon afterward he met Edward Weston and saw his work. What came out of these meetings was Group f/64, formed in San Francisco in 1932, consisting chiefly of Weston, Imogen Cunningham, Willard Van Dyke and Adams...
...Adams made a living from commercial work of every kind: advertising photography, industrial brochures and journalistic work for magazines like FORTUNE and LIFE. His letters to Stieglitz were full of scorn for his commercial patrons. But in the meantime he was earning, among other colleagues, a reputation as the least socially committed of serious American photographers. As Henri Cartier-Bresson once remarked, "The world is falling to pieces?and Weston and Adams are doing pictures of rocks!" Adams refused to deal with the standard subjects of post-Depression America, the breadlines, Okies, rallies and bums. When he photographed a Japanese...