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Word: worke (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...seriousness when Shanti belts out blues or scats like Ella Fitzgerald on Satin Doll. The couple were married nine days after meeting at a crafts fair in Oregon a year and a half ago. With the coming of hot weather in New Orleans, they decided to work their way west through fairs and markets and end up in Portland, where they have a cabin. When last glimpsed, they were living in their car, trying to raise money for a carburetor and tire...

Author: /time Magazine | Title: Music: The Bands of Summer | 8/27/1979 | See Source »

...movements and food coops wherever he goes. His favorite cause is street music itself. He hopes for a grant from the National Endowment for the Arts to write a book about its lore, its leading lights and its legal problems. Balding, with thick wire-rimmed spectacles, Baird likes to work the same crowd for hours, usually starting with something loud, then inviting everybody to sit down. "I've had standing ovations, which means you've got to get them to sit down first...

Author: /time Magazine | Title: Music: The Bands of Summer | 8/27/1979 | See Source »

...reason for the popularity of Segal's work is its material: plaster casts from live bodies. Because there was once a person inside each of the shells, they have the slightly eerie factuality of a petrified tree, a fossil or (as has often been said) that great tourist attraction of Southern Italy, the plaster molds of dead Pompeians. Now and again, Segal made an identifiable portrait; the show includes the effigies of those New York Pompeians of the '60s, the collectors Robert and Ethel Scull, she complete with sunglasses and Courrèges boots. But as a rule...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

There is always something ominous about Segal's images; no American sculptor today runs his work closer to theater. The theatricality becomes particularly intense in his painted sculptures, where the coating of figures with primary red, yellow or blue gives them a ferocious visual punch while rendering them, in Segal's words, "more like abstract shafts of color." To take the colors associated with the most rigorous abstractionists of 20th century art - Mondrian and Barnett Newman - and use them in a piece like The Costume Party, begun in 1965, has a perverse aspect...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

Each issue contains about ten stories-from exhaustive examinations of major public issues to sure-footed treks through the bureaucracy to thoughtful political analyses-ranging in length from 1,500 to 15,000 words. Although its purview includes all the works and pomps of Government, the Journal emphasizes the Executive Branch. By contrast, Congressional Quarterly, a crosstown rival of sorts, tends to look at Washington from the vantage point of Capitol Hill. The Journal has a relatively large staff of twelve full-time reporters and five contributing editors. With a generous two to three weeks to work on projects, they...

Author: /time Magazine | Title: Press: Capital Reading | 8/27/1979 | See Source »

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