Word: worke
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Dates: during 1970-1979
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...benefits going to a handful of stars at the top and scarcely anything to the rest. The American art education system, churning out as many graduate artists every five years as there were people in late 15th century Florence, has in effect created an unemployable art proletariat whose work society cannot "profitably" absorb. Generous tax laws, which enabled collectors to buy low, keep a picture for years and then reap a tax benefit by giving it to a museum at its enhanced value, fueled the art boom. The inequity of such laws has been that, if the artist gives...
...most of us who cannot make or buy art but do want to look at it in peace, the art boom has been a disaster. The confusion of art with bullion may have done more to alter the way people experience works of art than any event since the arrival of mass color reproduction. It may well be that my generation -the people born between 1935 and 1940 -will be the last to remember what a truly disinterested museum visit was like. Quite simply, it is now difficult and, for most people, impossible to walk into a gallery and look...
...price. The dance of digits in front of one's eyes renders the thing "special," isolated, fetishistically rare. It not only removes the painting from the flow of discourse about experience that art is meant to sustain, but it makes the price part of the subject of the work, separating it, by implication, from everything else ever painted by Velázquez, turning it from one painting among others into a dead whale on a flatcar, a curiosity to be gawped at. To most people visiting the Met, Rembrandt's Aristotle Contemplating the Bust of Homer, bought amid...
This culture is now getting to the point where everything that can be regarded, however distantly, as a work of art is primarily esteemed not for its ability to communicate meaning, or its use as historical evidence, or its capacity to generate aesthetic pleasure, but for its convertibility into cash. The exoticism of high price generates curiosity, and this curiosity fills the museum, turning it into a low-rating mass medium. But there it collides with an older American tradition, the 19th century reformist belief that contact with works of art is morally elevating and that museums are, in spirit...
...Pakistani Abdus Salam, winners of this year's Nobel Prize in physics for showing an underlying unity of two of nature's four basic forces: electromagnetism and the so-called weak force, which governs some forms of radioactive decay within the atomic nucleus. In carrying their work further to relate these two forces to a third -the strong force (which binds the atomic nucleus together)-they and other researchers determined that such unity requires a net loss of baryons when certain particles collide. In other words, the proton must decay into lighter subatomic fragments. By most physicists...