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...this just another hoax from the quartet who like to refer to themselves by names like “Panda Bear” and “the Geologist,” and who wear animal masks to press conferences, or is there some greater artistic value at work here? The answer is perhaps both. It is a fundamentally subjective experience; with no coherent dialogue or plot, the film relies upon the individual’s ability to translate the visuals and sound into an aesthetically pleasing and worthwhile production. The viewer is as integral as the work itself...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

...even with all her ambition and accomplishments, Fang manages to stay grounded about her work in animation. “It’s the only thing I’m good at,” Fang claims. But as Lingford puts it, “I’ve never seen a combination of so much talent with so little...

Author: By Lauren B. Paul, CONTRIBUTING WRITER | Title: Lillian Fang ’10 | 4/27/2010 | See Source »

...work displays a transcendence of the image-sound boundary, a transcendence which generates psychological disruption and shock in the viewer. But further than this analysis, we should not attempt to ponder. Any meaning the film has is what it arouses in the individual; there is no universal symbolism to the images or music. Attempting to unravel such a non-existent meaning would be futile, and would only serve to destroy the personal connection for which the film strives...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

...Grease,” Clytemnestra in the Visting Director’s project “The Flies” and Ophelia in “Hamlet,” Friedman has performed in two Harvard-Radcliffe Dramatic Club (HRDC) Visiting Directors’ Projects and one professional A.R.T. work. She is grateful to have taken advantage of professional theater...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Talisa Friedman '10 | 4/27/2010 | See Source »

...Choosing a school without a theater major was a wild move at the time,” says Friedman. She knew she wanted to work in the business, but decided against conservatory training. “Everyone in the industry that I knew told me to go to a liberal arts school,” says the English concentrator with a secondary in Dramatic Arts. “I thought maybe they were telling me that because they didn’t think I was going to make it.” However, Friedman seems to have underestimated...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Talisa Friedman '10 | 4/27/2010 | See Source »

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