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...enough, apparently, for pop culture to be preoccupied with zombies in films; now we must demand that the movies themselves be sewn together from dead bodies of work and reanimated not by a virus or a spell, but rather the pathogens of greed and commercialism. “Lunatic at Large” provides a reasonably clear-cut case of cinematic tampering, but the arguments against producing “Lunatic” apply to other unfinished works. At the risk of losing the trust of its directors and the respect of its viewers, Hollywood needs to learn...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

...result may be, it is difficult to get past the sense of guilt accompanying the release of these undead films. The question transcends aesthetic merit and becomes personal: does a significant contribution to the genre outweigh the ethical concerns of intruding on an artist’s personal work? every artist has the prerogative to decide which ideas to pursue. It’s a right as basic as keeping one’s thoughts to oneself, and to produce someone’s unfinished work feels, at some level, like an extremely personal type of violation...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

Creative control over unfinished work is usually given to the artist’s family or friends—as is the case with Kubrick, whose son-in-law, Philip Hobbs, is pursuing the production of “Lunatic.” Though such people seem more likely than others to know the author’s wishes, too frequently they don’t seem to care. Allowing the director’s relatives to make decisions about the cast and crew is a crapshoot in terms of quality. Shared genes do not endow one with any sort...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

...past as a means of exploring certain generic tropes—indicates a troubling lack of comprehension of Kubrick’s place in cinematic history. Such a choice should serve as an ominous harbinger for anyone concerned with the integrity of the director’s work...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

...nothing else, the practice of resurrecting films like this poses some interesting theoretical questions about authorship: who deserves credit for a successfully resurrected film like “Heaven?” How can we discuss films like this in terms of artistic intent? But as compelling as unfinished works are as case studies, they often amount to significant violence upon a filmmaker’s oeuvre. Instead of being remembered as prolific, successful, and complete, Kubrick’s career will seem to trail off, leaving behind a collection of troubling uncertainties that will hover over his work long...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

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