Word: worked
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Dates: during 1930-1939
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...football, linemen do the dirty work but the backs get the bouquets. This year, as usual, pre-season football prognosticators focused their attention on the outstanding college backs of the year. Most experts agreed that this year's crop was the most brilliant collection of all time: Michigan's Harmon and Kromer, Purdue's Brock and Brown, Notre Dame's Saggau and Zontini, Tennessee's Cafego, Pitt's Cassiano, Fordham's Eshmont, Duke's McAfee, many & many another...
Back in Texas, Elijah William Cunningham went to work as a reporter for the Dallas News, at the same time coached Southern Methodist University's football team. One of his jobs as a reporter was to interview Arctic Explorer Vilhjalmur Stefansson. Bill, married only a few days, took his bride along to impress her. But Stefansson was irritable. Said he: "If you are any kind of reporter you won't need to take notes." Thereupon he tore through a staccato monologue, dismissed his interviewer...
...does his work in a one-room studio that overlooks Boston Common and the Charles River. In one corner is a Dartmouth pennant, facing it the pennant of his Texas prep school. On the floor is a rug woven for Bill, with a facsimile of his signature sprawled across one end, an image of a long-horn Texas steer at the other...
...most frankly state that I have revolutionized the art of painting. . . . The reason to boycott my painting took place to protect from monetary disaster and depreciation all the canvas and exterior painting, where there is many billions of dollars involved throughout the world. . . ." Mr. Baldi's rejected work was a picture of Rudolph Valentino fighting a docile bull beneath an inset of the Great Lover as he appeared in The Son of the Sheik...
...overlook the genuine skill of the artist, Milt Caniff, in favor of a few well-turned curves on the body of the Dragon Lady. Each section of Canift's daily feature contains a carefully planned composition, both in regard to figure placement and value rendition. His work is characterized by the decisive manner in which he manipulates lights and darks and by his method of utilizing every variation in value to accentuate form...