Word: worked
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Dates: during 1950-1959
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Canada's Bureau of Statistics last week reported employment at an alltime high, with 6,053,000 at work and unemployment running lower than Ottawa economists dared expect only a few months ago. The number of jobless Canadians dropped sharply last month to 234,000, which is 3.7% of the labor force, compared with 10% in March 1958. As the result of stronger demand for Canadian raw materials in the bullish U.S. recovery, Canadian exports to the U.S. surged to $321.1 million in June (v. $233.6 million in June 1958), and overall exports were up to a one-month...
...releasing good versions of such standard items as The Barber of Seville, The Marriage of Figaro, and The Force of Destiny (monaural and stereophonic) in impressive boxes with brass fittings and color-dripping illustrations. Another and more daring approach is to look for obscure, rarely or never-recorded works. Part of the recent growth of operatic exotica is London's Giuditta (three mono and stereo), the principal serious effort of Vienna's operetta master, Franz Lehar, who had lifelong pretensions to grand opera. First produced at the Vienna State Opera in 1934 when Lehar was 63, the work...
Columbia dips into Donizetti's over flowing old trunk of 70-odd operas and comes up with a 3-LP recording of Linda di Chamounix (mono). Written late in the composer's life, the work has a good deal of facile melody, and Antonietta Stella, Renato Capecchi and Cesare Valletti give it a rousing performance. But the libretto, which has to do with a girl driven mad when wrongly accused of being a wanton, is enough to shake anybody but the staunchest Donizetti...
French Composer Jean-Philippe Rameau (1683-1764) is represented on France's Pathe label in a farcical work titled Platee (mono). The plot deals with the wooing of Jupiter by a spinsterish water nymph. The quicksilvery score, with its pastoral interludes and lavish descriptive effects, is a delight, and the performance is first rate...
...Rochester Orchestra and Eastman School of Music Chorus; Mercury, mono and stereo). An early (1925), timbrel-thumping excursion into myth that seems as far from Anglo-Saxon England as Composer Hanson's birthplace (Wahoo, Neb.). The chorus protests too much, but in the gently welling final eulogy, the work stirs with a sweetly nostalgic, gracefully dappled light...