Word: worked
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Dates: during 1950-1959
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There was an even greater disparity between the two halves of the dance section. The final work was an electrifying setting of Virgil Thomson's "Seven Choruses from the Medea of Euripides" choreographed by Amy Greenfield, who also danced the title role with just the right mixture of passion and inhuman wildness. As Jason, Gus Solomon combined a rigid discipline with a strongly rhythmical movement, producing an effective and intense characterization. The other dancers and the chorus were caught up by the highly charged emotion and supported the principals well. The choreography had about it a sureness and feeling...
National strikes have always provided large amounts of copy for American newspapers. Now that the papers have finished printing stories about the steel strike, they can turn their attention to the sick railroad industry, where adamant unions face an even more adamant management over the now-familiar issues of work rules and wage hikes...
...this battle, which has already started at the conference-table level. Item 1: Management has demanded an across-the-board wage slash for employees, while the Four Brotherhoods and the non-operating unions have insisted upon an unconditional boost. Item 2: The industry demands the right to change work rules hallowed by tradition and by the seemingly partial administration of the Railway Labor Act; labor categorically refuses any such changes. Item 3: Management has taken out six-month insurance to cover overhead in the event of a prolonged stoppage...
...major issue in the strike will not be wages but work rules. The Association of American Railroads--one of the most powerful lobbies in Washington--has started a nation-wide advertising campagin deploring the amount of feather-bedding throughout the nation. "Let us change the outdated work rules," the A.A.R. says, "and we can save $500 million per year, thus letting us compete more effectively and serve more efficiently...
...Expresisonist geometricism. (This style, incidentally, is well illustrated in the exhibit by Heckel's Couple and August Macke's strident Three Female Nudes.) Kokoschka's glowing, passionate lithographs, based on religious themes, have a piety to them that the harsher variants of Expressionism could not possibly allow. The culminating work of this fine show is the superb portrait of the famed German director Max Reinhardt; it glows with the tempestuousness and conviction of genius...