Word: worked
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Dates: during 1980-1989
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...tired this time of the season," Caples said. "We have to work very hard...
...pictures of tenement life mark a turning point between the Victorian idea that poverty was an evil to be condemned and the reformer's conviction that it was a condition to be remedied. Riis, like Mathew Brady, had a team of photographers (and like Brady, took credit for their work). Shooting in gloomy alleys and sunless rooming houses, he and his colleagues became pioneers of flash-lit photography -- a delicate undertaking in those days when the newly invented magnesium flash powder had to be poured into an open pan and then ignited with a flaming bang. "Twice I set fire...
...earliest significant body of war coverage was the work of Roger Fenton, a well-to-do Englishman who left a career in law to devote himself to the camera. Fenton's scenes of the Crimean War, made in 1855, were discreet by the bloody standards of battlefield imagery to come: no pictures of combat, no punctured flesh that might offend Victorian sensibilities. No matter, they represented a watershed. With these views of officers at leisure and a stark gully littered with cannonballs, the curtain had gone up on the theater of combat...
...museum. Brady kept a second studio in Washington, and when the First Battle of Bull Run broke out just 25 miles from the capital, he rushed toward the lines with two vanloads of equipment. Amid the scramble of the Union retreat, all the plates from that first day's work were lost...
...small army of camera reporters. They included Alexander Gardner, Timothy H. O'Sullivan and George N. Barnard, who would become some of the best-known photographers of the century. (All three eventually left Brady's employ in a huff over his practice of attaching his own name to their work.) Their pictures gave war a new face, stark and squalid, the face of the openmouthed dead on the fields of Gettysburg...