Word: worked
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Dates: during 1990-1999
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...Fast as You Can," and yet you still don't know whether her sexual prey should flee her in fear or approach her with curiosity. Apple draws heavily on old-school R&B and the instrumental support, led by Jon Brion, effectively complements her wandering voice. Her piano work is uncomplicated and elegant, allowing you to focus on her intimate vocals. "I Know," the album's concluding track, proves that Fiona Apple was correct about one statement on Tidal: you don't have to sleep to dream...
...interviews with the subject, while biographies of historical figures are obviously limited to the documented sources that remain. Often a coherent biography can be drawn from primary sources alone, although one of the dangers of such a method lies in injecting one's own opinion into the subject's work, often resulting in a rather one-sided view of the subject. Of course, an incomplete portrayal of a subject can easily be construed as an unfair one, and it is this implicit danger that no doubt often encourages the reader hungry for intrigue or second-hand gossip to purchase...
...While Fox Weber initially worked with Balthus on the book, he writes that "to keep my freedom once I realized I was writing about someone as unscrupulous as he is brilliant, almost as talented at lying as he is at painting--I pretty much stopped meeting with Balthus." It is interesting that although the biography is technically Fox Weber's work, this seems somehow scandalous. Fox Weber is the artist here, right...
...This imaginative edge of Waddell's work was perhaps most visible in the costume of the Jabberwocky in the first of the Six Student Operas. Tassled, tousled, spangled and tailed, the Jabberwocky looked like a cross between Grendel and a raver. Touched with the horrifics of a child's dream, the monster nonetheless conserved an impeccable stylishness that quite outshone the pantalooned prince in their operatic duel. (The Jabberwocky's vest came from Waddell's own closet.) The Dunster House production of The Magic Flute is promising as an outlet for Waddell's fantastic inclinations--she will be creating...
...first-rate actors, a great wartime love story, a seasoned director (The Crying Game, Interview with the Vampire). But the inconsistently inspired director falters here, and what should percolate into a fine cinematic brew instead comes out as a disappointingly sludgy ode to what might have been a great work...