Word: working
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Dates: during 1960-1969
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Given such a massive body of work, a major problem in staging a retrospective was to find a museum that could adequately display it. Manhattan's Guggenheim Museum turns out to be just the place, with its soaring inner space and gigantic spiral ramp designed by Frank Lloyd Wright. A few large, most strongly vertical works look slightly lopsided because of the ramp's slope. But by and large the Guggenheim's arbitrary architecture admirably enhances the drama of Smith's career...
Poetry and Vision. Just inside the door is Cubi XXVII, Smith's last work. A commanding construction of stainless steel, its open central square draws the visitor toward it, then past it up the ramp. Thus, instead of going up by elevator and sauntering downward-as he does with most Guggenheim exhibitions- he finds himself climbing upward, approximating the demanding path that the sculptor pursued...
...began to work in series, the first of which was "Agricola": graceful totems made from bits of old agricultural implements salvaged from barnyards. He was immensely proud of the fact that his grandparents had been pioneers and thought of these shards of pioneers' tools as belonging "to my grandfather and thus...
...first efforts looked like so many small Picassos. Later, they also began to resemble the small, stage-like Surrealist compositions of Alberto Giacometti, whose work Smith admired because it also incorporated the Freudian dream imagery so dear to Joyce. In 1940 Smith moved to Bolton Landing, and during the war years, he spent most of his time at his welder's trade, working on locomotives and tanks at a nearby plant. But by 1945, he had accumulated an exquisite series of small, neo-Surrealistic bronze-and-steel tabletop tableaux. Both Home of the Welder and Reliquary House are rich...
Presidential Prank. Williams wears a beard, buffalo-skin trousers, patched epauletted shirt, leather jacket and a neckerchief. But there is a lot of the actuary left in the man. He always carries a briefcase, and his workroom wall is covered with precise flow charts that plot work in progress. There are 23 projects pending. Right now, only one of them involves television. "TV," he says, "is not a medium anyone will let you work in creatively any more. People in the networks are afraid of original ideas." He does not disdain TV, however, to plug his book...