Word: working
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Dates: during 1990-1999
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...have to find God along with other people. I don't believe I can find God alone. If I did, I would be running to the Himalayas to find God in some cave there. But since I believe that nobody can find God alone, I have to work with people. I have to take them with me. Alone I can't come...
...exposes the fallacy of the claim that everyone can be rich and successful provided they work hard. He points to the millions who work themselves to the bone and still remain hungry. He preaches the gospel of leveling down, of emulating the kisan (peasant), not the zamindar (landlord), for "all can be kisans, but only a few zamindars...
Gandhi remains today the only complete critique of advanced industrial society. Others have criticized its totalitarianism but not its productive apparatus. He is not against science and technology, but he places priority on the right to work and opposes mechanization to the extent that it usurps this right. Large-scale machinery, he holds, concentrates wealth in the hands of one man who tyrannizes the rest. He favors the small machine; he seeks to keep the individual in control of his tools, to maintain an interdependent love relation between the two, as a cricketer with his bat or Krishna with...
...inconvenient puddles on the floor, quite insusceptible to the morally muscular moppings of outraged critics. Here one directs the reader to the foldout chart elsewhere in these pages. Prepared with much disputatious--not to say rebellious--muttering by this magazine's critics, it lists the century's "best" work in every facet of the arts. Its most interesting aspect is the intensely clustered dates of the works representing the major expressive forms...
...Matisse paints The Red Studio, "discarding perspective, abolishing shadows, repudiating the academic distinction between line and color," as his biographer Hilary Spurling puts it. Already burdened by the Fauve ("wild beast") misnomer, his public saw his work as a threat "to undermine civilization as they knew it." At virtually the same moment, his great rival Picasso creates his equally masterly Cubist collage Still-Life with Chair Caning and Guitar, which reverses the centuries-old traditions of sculpture, focusing the spectator's eye not on the final effect but on the process and materials by which it is obtained...