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...importance of visual arts on campus. It’s not just in VES, and it’s not just at the Graduate School of Design. Harvard students are incredibly talented. There are ceramicists at the graduate school who would have no other venue to show their work. [The show] is a way of bringing together divergent communities that have a central focus on visual...
...rather than conceptually provocative,” says Intiya Isaza-Figueroa ’10, who is selling a collage and a drawing in the show this year. “There are, of course, exceptions. This is an obvious result of it being a show about selling student work to a broad audience. So while I see the point and am grateful that the show exists, I don’t think it closes the gap between quality work produced by students and the opportunities to show that work...
...part of it is teaching [the artists] how to market themselves and their work,” Schapiro adds. “It helps artists understand that they can pursue a career in the visual arts, and gives them the tools to do that effectively right after graduation...
...William Shakespeare’s “Pericles”—written in part by the much less eloquent George Wilkins—as a “rarely produced tragi-comic-histori-vulgar monstrosity of the Shakespeare canon.” A late and obscure work, “Pericles” tells the story of the eponymous prince of Tyre. According to Meryl H. Federman ’11, producer and president of the Hyperion Shakespeare Company (HSC), Pericles “is the great guy that horrible things happen...
...Adam Stone. “Adam absolutely gets this play, and knows how to use humor to really bring out the absurdity of the script,” Federman says. Stone saw potential in the tension and energy of Shakespeare’s and Wilkins’ joint work. “The script poses a lot of problems right off the bat, and the cast and I necessarily rose to the challenge to come up with exciting solutions,” he says...