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Lieberman owes much of her exposure to the influences that would inform her sculpture and video work to Amie Siegel, an artist and professor in VES. Her time as studio assistant to Alison Knowles—a Radcliffe artist-in-residence famous for her involvement in the Fluxus art movement of the 1960s alongside Marcel Duchamp and John Cage—helping to prepare lectures, participating in Fluxus performances and contributing to works exhibited in Potsdam’s Fluxus Museum, also impacted Lieberman’s work...
Lieberman attributes the most influence, however, to Helen Mirra, the artist and VES professor who taught Lieberman’s first sculpture class and advised her thesis this year. Mirra pushed the conceptual boundaries of Lieberman’s art, particularly regarding formal and material decisions in her sculpture work. “She and I are really different, but I think in the way she approaches talking about art, her work and other people’s work, we speak the same language,” Lieberman says. “I like the ways she critiques...
This surface beauty, communicated so effectively by Scott and her able team of actresses, and so essential to the film’s message, can nonetheless sometimes work against the film’s value as a piece of engaging cinema. One can easily tire of the brooding, plaintive gazes, and the zoomed-in, sped-up shot of a blooming flower in one scene is simply indulgent. Sometimes “Cracks” can feel like a watercolor painting; still and soft and lacking dashes of exuberant feeling...
Although controversy stands out in a cursory examination of Lord’s work, a closer look reveals an inventive and nuanced thinker. Despite Lord’s concern with radicalism—in her own words, an interest in “different kinds of margins”—her work still boasts broad relevance and appeal...
Indeed, Lord is an intellectual at heart and if anything, she seems slightly uncomfortable that her work has been controversial. Her most recent project is a survey text called “Art and Queer Culture: 1885-2005,” on which she collaborated with her colleague Richard Meyer, Associate Professor of Art History and Fine Arts at the University of Southern California. “Art and Queer Culture” was born from a failed attempt by the pair to curate a show on that topic. The idea originated from their work together on another exhibition about...