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No writer better exemplifies the importance of the unspoken than Flannery O’Connor. O’Connor’s fiction features the recurring Catholic themes of the fallen nature of man, grotesque humanity, and violent salvation. Many of her stories climax with a confrontation between two archetypal...

Author: By Theodore J. Gioia, CONTRIBUTING WRITER | Title: Making the Case for the American Story | 4/13/2010 | See Source »

In the same way, Szpak compares CDT to a track team: “Everybody is dancing on their own, but it only succeeds if they all move together—so in that way, it’s more cohesive than a sport. If someone in front of you...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

Last Tuesday, Lin-Manuel Miranda—writer, composer, and former star of the Tony Award-winning Broadway musical “In the Heights”—came to speak at Harvard about his writing experiences and career. After his lecture at Professor Carol J. Oja?...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: SPOTLIGHT: Lin-Manuel Miranda | 4/13/2010 | See Source »

LM: My advice is to keep writing. You have a lot of free time on your hands in college, so write as much as you can now. You will not have that free time when you are working a nine-to-five job trying to make your dreams come true...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: SPOTLIGHT: Lin-Manuel Miranda | 4/13/2010 | See Source »

LM: I’m co-writing the score to a musical adaptation of “Bring It On” with Tom Kitt, who wrote “Next to Normal” and did the orchestrations for the upcoming “American Idiot.?...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: SPOTLIGHT: Lin-Manuel Miranda | 4/13/2010 | See Source »

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