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Moreover, Leyht is suspicious of art’s ability to communicate real understanding of the hardship of labor. While a play may help instill a new respect for workers, it cannot teach the audience what it is like to perform backbreaking work. That cannot be understood from a seat in a theater—or at least, Lehyt would not think so. “Art cannot directly address these things in any way that his helpful,” he says. “There is action and there is art. Art is about thinking about things...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

That inability of art to inculcate in its audience understanding of something as physical as labor partly inspired the artistic abstraction of Lehyt’s work. Though he initially said he tended toward a more didactic account, he ultimately decided to produce works that gave viewers little or no direction in interpretation. “The more I thought about being direct,” Lehyt said, “the more I thought that was useless because there is a subjective aspect [or] connection to art that I thought was more useful than saying things directly...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

...Working”, on the other hand, is based entirely on the people performing labor. The agents of the work sing and dance and carry the plot; the people matter. Indeed, real people are the foundation for “Working.” Schwartz and Faso based the musical on “Working: People Talk About What They Do All Day and How They Feel About What They Do,” a book of interviews published in 1974 by Louis “Studs” Terkel. The compilation aimed to highlight how real-life workers found...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

...American labor movement but also trying to update and innovate, I have a sense from talking to these students that they are trying to do the same thing,” Jaeger continued. “[They are] taking some of the ideas about the dignity of work and of recognizing and humanizing working people and putting a fresh, modern, local flavor with that...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

...uncertain. It is entirely within the realm of possibility that they could become stay-at-home moms. Besides, if “Working” succeeds in its glorifying aims, the fate should not seem like a particularly “shitty” one: the play presents housewifely work as another valuable way to contribute to society. For Harvard students, the point would be well taken...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

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