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...It’s been my official ideology for a long time that there are no wrong interpretations. As artists, we put a lot in store in our own intentions. We intend our works to mean some things, and that’s what we want the viewer to get and understand. What an artwork means broadly in society as a particular kind of cultural object is first of all overwhelmingly defined by the fact that the artwork exists and is recognized as being a work...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...very often, I don’t think artists always consider the field of meaning outside of intention. With my own work, my position is that you are responsible for all of it. Even if you did not intend it and even if it seems like pure projection on the viewer’s part, you are making this thing and putting it in the world...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...them in touch with me so I could authorize them to use my poster in their film,” Ding said. “Who knows if it will even make it into the movie, but it was still very exciting to be asked permission to use my work...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Deconstructing Design | 3/30/2010 | See Source »

...Hyacinth Macaw,” “The Birthday Party,” “Cabaret,” “Metamorphoses,” and “Twelve Angry Men,” is one of many student graphic designers whose work can be found brightening Harvard’s campus at any given time. Yet despite the presence of many graphic designers, the university is almost entirely lacking in formal academic resources for students interested in developing these skills. Instead, students independently seek opportunities to learn and practice graphic design—often...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Deconstructing Design | 3/30/2010 | See Source »

...Harvard with some familiarity with graphic design software. “In high school, I did a lot of journalism,” explains Ding. “My high school was fortunate enough to print a color newspaper with broadsheet, so that’s how I started working with Photoshop and InDesign.” Hsieh jokes that he started doing graphic design work before Harvard because “I just don’t like ugly things.” On a more serious note, he added, “I did photography in high school...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Deconstructing Design | 3/30/2010 | See Source »

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