Word: workings
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...Harvard Crimson: You were only 23 for Museum Highlights and even younger for your work with The V-Girls. How did you move from high school to the art world...
...often work by appropriating, rewriting, and taking on a role in your performance pieces. But, more recently, you’ve been creating works that present yourself not in an invented role...
...from a psychological and psychoanalytical perspective, we can think of people as being collections of other people and their relationships. Or collections of relationships that we have internalized and even things that we have invested our attention in and taken into ourselves. In a way doing the kind of work I did, it’s sort of about appropriation—I was making the process explicit and performing...
...being a little adolescent. Of course, we want to be free on some level from institutional constraints and not only institutional but social determination. Art is a space of freedom where you can invent yourself and the world. [But] artists can’t invent meaning themselves. What works come to mean and how they exist in the marketplace and history is external to our control. That for me was the radical recognition now associated with institutional critique. If one thinks of this in this manner, it can go two ways. One was even more of a reaction: once...
...Artistic intention and viewers’ interpretation don’t always agree. Do you believe your intention for the work trumps their interpretation...