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...less than $1,000, Rorimer carted the bust off to the U.S. In the Met's workroom, Director Rorimer and his staff carefully cleaned off the layers of paint, found underneath the gleaming silver features of an unknown bishop whose miter was handsomely jeweled (see opposite). The enameled coats of arms and Latin inscriptions on the bust further identified the piece as a work commissioned by the great Italian Humanist Poggio Bracciolini and his wife Vaggia. A search of the records brought out the fact that about 1438 Poggio had indeed given to the Church of Santa Maria...

Author: /time Magazine | Title: Art: BROWSER'S PRIZE | 7/30/1956 | See Source »

Nasser, secluded 18 hours a day in his workroom by the Nile, had miscalculated the country's temper. He had underestimated the popular appeal of General Mohammed Naguib, overestimated the unity of the officers' corps (which turned out to be honeycombed with fellow travelers), misjudged the troublemaking .capacity of the supposedly cowed Wafdist politicians and Moslem Brotherhood. To bring the shaken-up Revolutionary regime back into the confidence of the people, political salesmanship was called...

Author: /time Magazine | Title: EGYPT: Passing Cloud | 3/15/1954 | See Source »

...level, reached by a winding stairway in the tower, is divided into the Nest, workroom for artists; the tower room, furnished chiefly with a moth-eaten Ibis; and the Great Hall. This last is the most impressive, reserved for Lampy's state occasions. At first glance, it seems extremely large because of a foreshortened perspective and triangular shape. The Hall's main features include a large, carved mantelpiece of Elizabethan vintage, serpentine electric light brackets, and suits of Japanese armor. A solid oak table stands in the center, and is deeply carved with the initials of early members...

Author: By Dennis E. Brown, | Title: Flemish Birdhouse | 2/20/1954 | See Source »

Then, while Lila reads, Wallace walks up a winding staircase to his medieval-tower workroom. Beneath its hewn beams, soothed by soft music piped in from a control-panel below, he works, usually till midnight, at the sprawling mountain of manuscripts piled on his desk. Memos have been known to molder in the pile for years, before Wallace got around to scrawling in the margin: "Sure. Go ahead. Wally." But the stuff he regards as important does not linger there long. Next morning, Wallace loads his completed work into his briefcase and careens off to the office in his battered...

Author: /time Magazine | Title: The Press: The Common Touch | 12/10/1951 | See Source »

...time to begin producing fresh chapters in the lives of Li'l Abner and his colleagues, he retires to a big, handsomely furnished apartment on Boston's Beacon Street. One of its back rooms-a bare-walled hideaway fitted up with three drawing boards-is the workroom in which Capp and two longtime assistants, Andy Amato and Walter Johnston, grind out the installments of their never-ending serial...

Author: /time Magazine | Title: The Press: Die Monstersinger | 11/6/1950 | See Source »

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