Word: works
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Dates: during 1940-1949
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...Reliable. Ever since his Christian Democratic Union had come out ahead in the West German elections (TIME, Aug. 22), Adenauer's work load had increased staggeringly. Letters have poured in-from oldtime civil servants seeking jobs, from contractors eager to get in on Bonn's construction boom, from well-wishers, favor-askers, crackpots, foreign diplomats. Callers pressed him relentlessly-a U.S. broadcasting company wanted to record his message to the American people; Bonn's deputy mayor came to talk over housing for mushrooming government' bureaus; a secretary asked him to approve the musical program...
...falls last week, some 2,000 laborers were at work on a $43 million hydroelectric project designed to serve the power-starved cities of Brazil's "forgotten corner." In charge of the job was a corps of young (average age: 30) Brazilian engineers of the Companhia Hidro Eletrica do Sao Francisco. In the ten months since work began, CHESF has put up a city for 4,500, made a start on a 2-2-mile dam, and is getting ready to carve a huge subterranean power station in solid granite...
...more typical of the 220 artists represented were two local landscapists whose work changes not a whit from year to year: Dean Fausett (TIME, Aug. 22) and Luigi Lucioni. Their crisp, slick pictures of red barns, cows, birches and green pastures were echoed with varying success from wall to wall, making an exhibition steeped in milk and spinach, the way the customers liked it. (The exhibiting artists sold $10,000 worth of pictures at last year's show, might do as well this time...
...Dyck was an artist at 16, with his own studio and students. He did fine, for Antwerp rattled with commerce and bulged with gold; and its beefy, bearded burghers all wanted portraits of themselves and their wives. But the aristocratic little portraitist was far from satisfied with his own work. At 19 he got admittance to the artists' Guild of Saint Luke, and at 20 went back to school, at Rubens' feet...
Purity & Flavor. The master had turned his palace into a picture factory, where his students did most of the work. Rubens would supply them with sketches, add a few finishing touches when the paintings were done, and sign them with a flourish. He soon found that young Van Dyck's work needed no finishing touches. Experts have since despaired of telling some of their portraits apart. The student's are as bold and right as the master's own, with the same purity and flavor, and only a little less body-for with all his talents...