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Filmmaking can be one of the more precarious fields for undergraduates to enter immediately after graduating. Would-be documentarians face difficulty getting funding outside Harvard, and those looking for work on fiction films encounter their own set of obstacles. “You can’t get a job on a set unless you’ve had job on a set,” remarked Robb Moss, a lecturer on nonfiction filmmaking in the VES department and the director of documentaries “Secrecy” and “The Same River Twice...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

...options to VES graduates like Horovitz who decide to remain in the area. Upon graduating, Horovitz became the first Teaching Fellow of VES 50: Fundamentals of Filmmaking. But due to the Massachusetts Film Tax Credit luring major studios to shoot in Boston, he also has had the opportunity to work on commercial film. “It’s great,” said Horowitz. “I’ve TA-ed here, and on Fridays I’ll PA [work as a Production Assistant] on a hundred-million-dollar movie...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

...been to many film festivals, because getting off campus is not something I do often,” she said. “We’re lucky to have the HFA [Harvard Film Archive] here, and we have a lot of people that come here specifically to present work, so we don’t really have to leave...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

...seemingly good fortune shouldn’t fool anyone who’s been tracking the senior’s game play and dedicated work ethic throughout the season. Griffin also attributes her success to pinpointing the weaknesses in her game early in the summer months and putting in long hours to correct them...

Author: By Aparajita Tripathi, CONTRIBUTING WRITER | Title: Seniors Makes Most Of Her Final Weekend On The Ice | 2/23/2010 | See Source »

Because there are procedural problems that need work, since 9/11 a bunch of well-meaning and very smart people have looked at this issue and identified a few things that need fixing. One compelling and frequent finding concerns the nature of our messages to our key audiences. The consensus maintains that our messages are at best poorly received by “the Arab street,” and in some cases, insulting. Not only do we have an inadequate number of Arabic-speaking foreign service officers but our communications are also hindered by an absence of meaningful cultural sensitivity...

Author: By M.C. Andrews | Title: ‘Can You Hear Us Now?’ | 2/23/2010 | See Source »

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