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...Balls," Samuel Fuller snarled as he explained the problems of today's movie industry, "It takes balls to make a good film." The octogenarian Hollywood legend was speaking in the basement of Sever Hall as part of the Avignon/Cambridge '93 film workshop. Though the panel included three other directors and two actors, Fuller managed to dominate the discussion in his characteristically brash yet lovable style...

Author: By Allan Piper, | Title: Filmmaking And Fraternit* On the Charles | 5/14/1993 | See Source »

...years, French and American filmmakers and enthusiasts have come together in France for the annual Rencontres cin*matographiques franco-am*ricaines festival. This year, the French-American Film Workshop of Avignon brought a smaller, similar event to Cambridge. For four days directors and actors from both countries participated in discussions and film screenings in the Cambridge area, mostly at the Harvard Film Archive...

Author: By Allan Piper, | Title: Filmmaking And Fraternit* On the Charles | 5/14/1993 | See Source »

...honorary president of The French-American Film Workshop, Fuller opened the ceremonies with a screening at the Brattle Theatre of his controversial film "White Dog" (1982), about a dog trained to attack Black people (1982). Following the screening, Fuller engaged in a question and answer session with the audience...

Author: By Allan Piper, | Title: Filmmaking And Fraternit* On the Charles | 5/14/1993 | See Source »

...directors participated in the workshop; from the U.S.: Budd Boetticher, Robert Gardner, Fuller, Ross McElwee, and Alexandre Rockwell. From France: Jean-Charles Tacchella, and Val*rie Stroh. The panelists were selected to represent both young, independent filmmakers, and more established directors from the two countries...

Author: By Allan Piper, | Title: Filmmaking And Fraternit* On the Charles | 5/14/1993 | See Source »

...Lost Time is not a finished product; Thome calls it a "workshop production and exploration." There are some kinks to be ironed out; the scene involving flower children is weak, and some of the characterizations fall a bit flat. But this work-in-progress still stands out for its topicality and creativity. Harvard audiences should lose no time in seeing this intriguing and worthwhile production...

Author: By Joel Villasenor-ruiz, | Title: All the World's a Magical Stage | 4/29/1993 | See Source »

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