Word: workshopped
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...Balls," Samuel Fuller snarled as he explained the problems of today's movie industry, "It takes balls to make a good film." The octogenarian Hollywood legend was speaking in the basement of Sever Hall as part of the Avignon/Cambridge '93 film workshop. Though the panel included three other directors and two actors, Fuller managed to dominate the discussion in his characteristically brash yet lovable style...
...years, French and American filmmakers and enthusiasts have come together in France for the annual Rencontres cin*matographiques franco-am*ricaines festival. This year, the French-American Film Workshop of Avignon brought a smaller, similar event to Cambridge. For four days directors and actors from both countries participated in discussions and film screenings in the Cambridge area, mostly at the Harvard Film Archive...
...honorary president of The French-American Film Workshop, Fuller opened the ceremonies with a screening at the Brattle Theatre of his controversial film "White Dog" (1982), about a dog trained to attack Black people (1982). Following the screening, Fuller engaged in a question and answer session with the audience...
...directors participated in the workshop; from the U.S.: Budd Boetticher, Robert Gardner, Fuller, Ross McElwee, and Alexandre Rockwell. From France: Jean-Charles Tacchella, and Val*rie Stroh. The panelists were selected to represent both young, independent filmmakers, and more established directors from the two countries...
...Lost Time is not a finished product; Thome calls it a "workshop production and exploration." There are some kinks to be ironed out; the scene involving flower children is weak, and some of the characterizations fall a bit flat. But this work-in-progress still stands out for its topicality and creativity. Harvard audiences should lose no time in seeing this intriguing and worthwhile production...