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This is a sad weekend for jazz in Boston. The Paul's Mall/Jazz Workshop complex is closing down. A center for live entertainment since 1963, the two small adjacent clubs can no longer afford to pay top jazz musicians to perform. But the clubs are not going to die quietly. This weekend, they will go down swinging, literally. B.B. King will play the Mall and Milt Jackson the Workshop, both musicians performing tonight through Sunday night...

Author: By Scott A. Kripke, | Title: Milt and Cookies | 4/6/1978 | See Source »

...Workshop the only thing the audience will be yelling is "more, more, Milt, Milt," because Milt is so great. Milt Jackson, probably the foremost vibist in jazz today, got his start with the Dizzy Gillespie big band in the '40s. He was part of a rhythm section which included John Lewis on piano, Kenny Clarke on drums, and Ray Brown on bass. Clarke, Lewis, and Milt, with Percy Heath pickin' bass later went on to form the Modern Jazz Quartet (MJQ). But, before the group acquired that famous name, it was called the Milt Jackson Quartet (still MJQ). Milt...

Author: By Scott A. Kripke, | Title: Milt and Cookies | 4/6/1978 | See Source »

Milt Jackson--Jazz Workshop...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar: April 6-April 12 | 4/6/1978 | See Source »

...most gifted of the brood. At six, Johnny was off visiting Sister Ellen in a road company of Gypsy. "He'd mouth all Merman's songs from the records," she remembers, "and he could dance every part." When he was nine, he got his first part in a local workshop production of Who'll Save the Plowboy? A retrospective appreciation from Mom: "He had only two or three lines, but he said them so meaningfully...

Author: /time Magazine | Title: High Steppin' to stardom | 4/3/1978 | See Source »

...answer, of course, is that earnest dignity and accomplishment are not very funny, unless they are mocked. TV humor, whether the players are black or white, now turns mostly on chaotic exaggeration, a great deal of it emanating from the workshop and social conscience of Producer Norman Lear. His Archie Bunker, after all, is a kind of blue-collar, honky George Jefferson, his whooping racial slurs rendered cute by being malapropped...

Author: /time Magazine | Title: Time Essay: Blacks on TV: A Disturbing Image | 3/27/1978 | See Source »

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