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Conquering Distrust. For the 52-year-old writer, the workshop at Watts has been his toughest task since the days when he prowled the docks gathering material for the screenplay of On the Waterfront. When the Westminster Association announced his first class, ten young Negroes signed up, but only two bothered to show. Undiscouraged, Schulberg kept at it, eventually conquered the distrust of his students. Now he has 18 regulars, ranging from boys in their teens to unemployed rniddle-aged workers...

Author: /time Magazine | Title: Teaching: Screenwriter in the Ghetto | 7/22/1966 | See Source »

...superbly. I suspect that the conditions of this production have taught them a lot about their own acting, and this is not the least important function of student theatre. In producing The Pelican, Tom Babe enthralled his audience, fulfilled his responsibility to his cast, and effectively brought experimental workshop techniques back into the Loeb Experimental Theatre...

Author: By Tim Hunter, | Title: The Pelican | 5/23/1966 | See Source »

Kapitsa seemed only to want to kindle old memories. He returned to Cambridge, visited his old workshop in the Cavendish Laboratory, and dined with the dons at his old college, Trinity. Realizing that he had no academic gown, the required dress for evening meals in college, he asked a college servant to fetch one for him. The man brought back the very robe that Kapitsa had left behind 32 years...

Author: /time Magazine | Title: Great Britain: Return of the Vanished | 5/13/1966 | See Source »

What more could one ask for: well-built girls in revealing costumes, talented dancers of both ballet and modern, imaginatively choreographed dances, and good music. The Jazz Dance Workshop has been one of the best things around Harvard theatre for a long time. And they keep getting better...

Author: By Thomas C. Horne, | Title: The Jazz Dance Workshop | 5/9/1966 | See Source »

...began to swing. Ron Porter and Pat Wynn opened with some very funny comedy dances that provided a striking contrast for their deadly serious "Manha Carnival." Backed by exciting drum work, the couple danced artfully and emotionally as they portrayed the destruction of man by woman. The Jazz Dance Workshop has a remarkable ability to treat untouchable subjects in a tasteful manner...

Author: By Thomas C. Horne, | Title: The Jazz Dance Workshop | 5/9/1966 | See Source »

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