Word: workshopping
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Mary Morris, who gained early experience in the 47 Workshop while at Radcliffe, is perfectly cast as Victoria, and proves her right to be considered a leading actress. The rest of the cast is competent, the set is superb, and the production on the whole amply justifies its Broadway success...
Educated first in a private scientific school founded by her mother, whose Slavic features she has, Irene Curie-Joliot snapped up a science degree at the University of Paris. When her second child was born two winters ago she was away from the workshop only a month. She and M. Joliot get up at 5:30, write their papers ("What a burden!"), are glad to reach the laboratory at 9. They keep long hours, find no time for theatres and concerts. For three months in summer they leave the atom in peace, take the children to grandmother Curie...
Since the days of Professor Baker and the 47 workshop, the state of the drama in Cambridge has declined sadly. The sole custodian of the theatre in the University at present is the Harvard Dramatic Club, an organization that after several years of mediocrity shows great improvement. The largest single obstacle to still surther progress on the part of the Dramatic Club is the lack of any suitable place in which to produce their plays, particularly since the demolition of the Rogers building...
...story opens in Paris, October 6, 1908, early in the morning. Actress Germaine Baader is asleep in her bedroom. Schoolmaster Clanricard talks to his pupils about the threat of an European war. Apprentice Wazemmes grinds paint in a Montmartre workshop. Juliette Ezzelin leaves a book to be bound at Quinette's. Few minutes after she has left a murderer bursts into Quinette's shop, asks if he may wash his hands. Clanricard goes to lunch with his old master Sampeyre, Germaine Baader wakes up, Wazemmes goes to the races. Gurau, member of the Chamber of Deputies and Germaine...
English 10-b stands unique as being the only course in the University which consciously attempts a practical study of the theatre and its requirements upon the actor. To a large extent, it is a workshop course. Its three sections a week are devoted to training the voice and seeking to obtain--with widely varying results--poise of body and ease of mind. The outside reading is interesting but of minor importance, and the reading period is partly devoted to the production of a one-act play by the members of the course. Especially suited to the desires...