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...based on what he called the "methods of modern construction." Struggling to mount a personal response to the challenge of Cubism, he approached the very edge of abstraction. Things and people were reduced to concise signs of themselves, but in the end Matisse always remained attached to the visible world. Just look at Goldfish and Palette, from 1914, in which light and shadow, form and space, are distilled into ambiguous stage flats. Is that black strip down the center of the painting a wall or a shadow? Actually, it's the central mullion of a window and its shadow, widened...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

...years right after 1913 were an anxious time for Matisse. Born in 1869, he entered his mid-40s more visible than ever in the art world, but with work that to the French was still an eyesore. Though for the first time he was making enough money from his art to buy his family a comfortable house in a Paris suburb, much of his income derived from a single Russian patron, Sergei Shchukin, a wealthy merchant willing to fill his drawing room with Matisse's most difficult pictures while Moscow society snickered. (See the top 10 art exhibitions...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

When he was through with the hectic charms of Fauvism, Matisse moved to distill and stabilize his art by conjuring up a stripped-bare world of preclassical antiquity, a place that was one part arcadia, one part Land That Time Forgot. In enigmatic pictures like Bathers with a Turtle, from 1908, bluntly rendered figures were disposed among wide, flat bands of nearly abstract blue and green that signified - just barely - land...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

...open the Chicago show, curated expertly by Stephanie D'Alessandro of the Art Institute and John Elderfield of MOMA. They represent a final prelude to the leap Matisse would make around 1913 into radical distortion and near abstraction. Much of that work he would do in the shadow of World War I. Rejected for service - he was 44 when the war began - he went on working in a Paris studio, while outside his door Europe hammered itself to pieces. Not long after, his hometown in northern France was occupied by German troops, his mother left stranded behind enemy lines...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

...billion to build and will be able to transmit 1 gigabit per second. That's fast enough to download a feature-length DVD movie in about 70 seconds - and more than 100 times as fast as the typical connection available in the U.S., which ranks 22nd in the world in network speed, according to Akamai, an Internet-analytics firm. The Google guys are doing this to help spur the U.S. to overtake Romania and other we-can't-believe-we're-slower-than-they-are countries...

Author: /time Magazine | Title: Welcome to Googleville? | 4/12/2010 | See Source »

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