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...addition to museum experience, Schneider Enriquez has also worked in other divisions of the art world. She has written as an independent art critic, and her pieces have appeared in ARTNews, ArtNexus, and Art in America magazines...

Author: By James K. Mcauley, CRIMSON STAFF WRITER | Title: Latin American Art Expert to Fill Associate Curator Position | 4/6/2010 | See Source »

...With her long and varied background in the art world, especially in Latin America, and as someone who already has an intimate knowledge of the Art Museum and Harvard University, “[Schneider Enriquez] brings a distinct perspective to this position,” said Thomas W. Lentz, the Harvard Art Museum’s director in the press release...

Author: By James K. Mcauley, CRIMSON STAFF WRITER | Title: Latin American Art Expert to Fill Associate Curator Position | 4/6/2010 | See Source »

...supper. For its many scene transitions, the show too-frequently utilizes the Johnny Cash song “God’s Gonna Cut You Down,” a catchy, yet repetitive tune which rather abruptly jerks the listener out of eighteenth-century France and into the bluesy world of the American South...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

...society’s normalizing compass spinning. The U.S. is a notable example of this—a society that has retained a sense of morality outside of the harm principle but is unsure where to proceed next. As fewer and fewer citizens in Fukuyama’s predicted world see the value in virtue, society would be likely to advance toward a morally minimal liberalism. This philosophical stance, coupled with a democratic political organization, is likely to make the end of history closer than you’d think...

Author: By Gregory A. Dibella | Title: The End of History Redux | 4/6/2010 | See Source »

...culture wars in the U.S. are a good example of the more general societal conflict over whether time’s arrow points the way toward a world that is good or, for that matter, happy. Empirical studies give some indication that progress is not a recipe for satisfaction, even though citizens are freer—perhaps, at liberty to be as unhappy as they are unconstrained. Society might not be on the path that Fukuyama or the preceding picture suggests, but any reclamation of societal standards—such as those underlying monogamy or speech regulations—would...

Author: By Gregory A. Dibella | Title: The End of History Redux | 4/6/2010 | See Source »

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