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Word: worldly (lookup in dictionary) (lookup stats)
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...Yard this past weekend? If so, then you probably saw the crowds of dressed-up high school kids scampering around taking photos, playing football, and reveling in Harvard’s grandeur. Of course, none of these fawning high schoolers could have been mistaken for one of us world-weary college students facing the fourth week of psets and paper deadlines...

Author: By Kyongdon Kim, CONTRIBUTING WRITER | Title: Trying to Argue Their Way Into Harvard | 2/17/2010 | See Source »

...context to the disembodied desire of his two lovers, Aciman references a bygone European past, but manages to trivialize it by reducing it to a simple, romantic picture of the Old Country. Both Clara and the protagonist come from an Eastern European, Jewish background and move about in a world with scattered references to Dostoevsky, Rilke, Rohmer, St. Petersburg, Bellagio and Byzantium—one that is faded around the edges like a sepia photograph...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Aciman Falters in 'Nights' | 2/17/2010 | See Source »

Aciman’s shower of allusions is too perfunctory to do justice to the ideas and places he is evoking. The nod to a different cultural context is shallow, but additionally becomes disturbing when Aciman uses metaphors reminiscent of the pain and trauma caused by World War II to describe the main character’s somewhat unconvincing anguish at Clara’s rejection. He morosely declares, “I’ll always hate you for this, for bringing me to the abyss and forcing me to stare down, the way they force a detainee...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Aciman Falters in 'Nights' | 2/17/2010 | See Source »

...Keefe intends to reflect faithfully Williams’ nostalgic story, drawing the audience into the Wingfield family’s plight. “We can set up their world and invite the audience into it,” she says. “If we can keep it fresh and spontaneous for [the audience], then we have done...

Author: By Vicky Y. L. Ge, CONTRIBUTING WRITER | Title: Preview: THE GLASS MENAGERIE | 2/17/2010 | See Source »

...artist still begs a reception, and can involve himself deeply in the social and political issues of the public world. Instead of alienating audiences, performers can attract and unite audiences in emotional empathy. In the wake of January’s catastrophic earthquake in Haiti, artists from the Harvard community seem to follow this last tradition. Poets and performers alike are banding together to raise money and awareness by inspiring audiences to understand the scale of the Haitian tragedy, and to empathize with the people affected...

Author: By Mark A. Fusunyan, CRIMSON STAFF WRITER | Title: Passion and Compassion | 2/17/2010 | See Source »

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