Word: worldlys
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...these materialistic times, I have been deeply moved and thrilled to see the whole world coming together to bring help and relief to populations affected by disaster. Terrible though they are, events such as the earthquake in Haiti manage to reach out to the hearts of people and nations everywhere, and bring out the best in them. Teresa de Mello e Almeida Lisbon...
...little NGO, Central Asia Institute, which has been responsible for building 131 schools in the most remote areas of northern Pakistan and Afghanistan [Jan. 25]. This modest American nurse has virtually single-handedly (and single-mindedly) brought education to people who have been overlooked by the rest of the world. If anyone deserves the Nobel Peace Prize, it is Greg Mortensen. Jef Westing Isle Sur La Sorgue, France...
...last a sensible comment on foreign aid for education. One of the easiest projects to fund in developing countries is building a school. Schools are useless without teachers and teachers in developing countries are poorly educated and qualified. Many daunting problems would evaporate if all the world was similarly well educated. A step in that direction would be to channel educational aid into a massive project to send all newly qualified teachers from richer countries on a gap year to teach in an underdeveloped country. The teachers are young, fresh and motivated and would inspire their pupils likewise. Joanna Perry...
...This kind of character - the village boy who succeeds against all odds - is a staple of Bollywood, India's film industry, the largest in the world. But Khan turns it into something more. In his hands, the true story of Paan Singh Tomar, a track-and-field champion turned mountain bandit, becomes a parable about the frustrated poor. Khan says the film, written and directed by Tigmanshu Dhulia, an old friend from drama school, appealed to him because it follows the hero once he has been forgotten. "It talks about our system," he says. "It's a sign...
...Drama school was a new world, but not what he expected. "I thought somebody, somehow, would give me the secret to acting," he recalls. Indian theater then had nothing like the studios of method-acting guru Lee Strasberg or Stanislavski disciple Stella Adler to give actors tools and techniques. It had its roots in drawing-room melodramas and classical literature, including an ancient text, the Natyashastra, devoted to the theory of drama. "It even tells you where in the audience a critic should sit," Khan says. "But you cannot learn acting from that." So he immersed himself in the films...